Archive for June, 2013

Movement Research Town Hall Meeting, June 25, 2013

Movement Research Studies Project: “Town Hall Follow-Up: Alternative Economies,”
Moderated by Kathy Westwater
With panelists Ilona Bito, Liliana Dirks-Goodman, and Tamara Greenfield
Josie’s, June 25, 2013

Listen to the Podcast here: http://traffic.libsyn.com/movementresearch/2013.6.25_MR_Town_Hall_PODCAST.mp3

In a follow-up discussion to the 2012 Movement Research Town Hall, this conversation looked deeper into structures and alternatives that have manifested within the recent and current dance economy. Moderator Kathy Westwater, panelists and attendees reflected upon different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.

Podcast: Movement Research Studies Project – “Let Me In, Let Me In, Or I’ll Blow This House Down” Dec 3, 2012.

Movement Research Studies Project: “Let Me In, Let Me In, Or I’ll Blow This House Down”
Moderated by Juliette Mapp and Jen Rosenblit
Laurie Berg (AUNTS), Rebecca Brooks, Barbara Bryan, Liliana Dirks-Goodman (AUNTS), Matthew Lyons (The Kitchen), Ben Pryor (American Realness)

December 3, 2012, at Jimmy’s no. 43

Listen to the Podcast here: http://traffic.libsyn.com/movementresearch/2012.12.3_Let_Me_In_Let_Me_In_Curators_SP_Podcast_FINAL.mp3

Curators on Process and the Matter of Inclusion. To feel a part of something. Communal, to have community. To be asked, invited in, to ask to be invited in. Access, entry. While the role of curator and the process of curation holds as much artistry as the making of dance and performance, we hone in on an equally important need for a touch of transparency surrounding the presentation of dance and the body. What issues and concerns arise inside of a shifting community where representation is crucial for belonging and sustainable support? What are we doing to reach out to more artists? Where are those artists? Who are those artists? What are the complexities that arise while supporting the sustainability of an artist? What responsibility do we have to an idea of cultivating and supporting “newness?” Where is the body inside all of this? How do we digest being on the inside or outside of something spiritually, aesthetically, emotionally and academically?

Video Clips from Movement Research at the Judson Church 5.6.2013

Featuring works by Cristiane Bouger*, Diana Sherwood, and Jody Oberfelder.

Accumulation – Influx 32
Conceived and performed by Cristiane Bouger
Costume Design by Babatunde Ajiboye
Video Photography by Flemming Fynsk
Sound Design by Cristiane Bouger and Steve Fontaine (songs excerpts by Leonard Cohen, Gal Costa (Jards Macalé and Waly Salomão), Patti Smith (Allen Ginsberg), Nico, Nick Cave (Lennon-McCartney), Cartola and Ludwig van Beethoven)
In this study I investigate ways to give visibility to the intangible accumulation of memories and information processed by my body. Understanding how presence and intimacy unveil along the performance is part of my research.
32 is the number of days since I started crafting the structure shared with you tonight.
Thank you to Larissa Brandão, K.J. Holmes and Kávé Expresso Bar and Event Space (Bushwick).
This project was made possible, in part, through the Movement Research Artist-in-Residence Program, funded, in part, by the Jerome Foundation and the Davis/Dauray Family Fund.

Cristiane Bouger is a 2012 Movement Research Artist-in-Residence and a 2012-2013 Performa Magazine Writer-in-Residence. Her interdisciplinary work reveals existential examinations reflecting upon the female body, desire, cultural conducts, behavior and symbols, biography and fiction. Her live and video performances have been presented in numerous independent and institutional circuits in Brazil; at the Anthology Film Archives, ACE Film Festival, Dixon Place and chashama 461 Gallery (New York); 9̬me Festival des Cin̩mas Diff̩rents (Paris), In-Presentable 08 (Madrid), Montage Video Dance Festival (Johannesburg) and at the Centrul National al Dansului РBucuresti (CNDB)/Atelierul de Productie (Bucharest). Her critical writing work has been published in Brazil, the United States, England and Portugal. www.cristianebouger.com and www.cristianebouger.wordpress.com

These fragments
Staging/dance: Diana Sherwood, Music (if used): Sigur Ros.
Over the last several years, I have begun to explore and embody the works of the early German Expressionist dancers as well as 20th Century dancers from the U.S. as seen on film. I have done this not to reconstruct historical dances, but to learn the earlier dancers’ interpretation and translation of the world in physical language and to then re-translate this into a contemporary context. This exploration has made me more acutely aware of partnering space and the architectural elements in movement and visual images these may create, than before. My work tonight explores these ideas.

Diana Sherwood has been a member of the Rudy Perez Performance Ensemble and currently divides her time between NY and LA.

4Chambers (performance installation in-progress)
Choreography: Jody Oberfelder created in collaboration with dancers:
Zachary Denison, Michelle Jongeneel, Joey Kipp, Mary Madsen, Mercedes Searer, and Jake Szczypek.
Music: Richard Einhorn, Jonathan Melville Pratt
4Chambers will be sited on Governors Island this summer. The piece takes place in four discreet rooms referencing the heart. Tonight we give a taste of two of these chambers blended together for Judson.

Jody Oberfelder has been making work in New York for several decades. She has sung in a rock band, choreographed an array of boldly physical dances including ‘Approaching Climax’, ‘Throb’, and ‘The Story Thus Far’, ‘The Title Comes Last’, and directed theater and opera, most recently, Stravinsky’s ‘A Soldier’s Tale’ and Purcell’s ‘Dido & Aeneas’. With a keen eye for the visual, she has also created eight dance films. 4Chambers is her first installation piece. It will premiere this summer on Governors Island for three weekends in July. Transforming Officers House #15 into a four chambered heart with arteries and veins, participants will monitor their own heart while traversing through it. As we’re still working on the piece–any feedback would be greatly appreciated (jody@jodyoberfelder.com). We’re also looking for volunteers to be part of our Governors Island performances. jodyoberfelder.com

*2012 Movement Research Artist-in-Residence

Video Clips from Movement Research at the Judson Church 4.29.2013

Featuring works by Courtney Krantz, Marissa Rae Niederhauser, Justin Cabrillos, and Karis Zidore Christensen.

Tentative title: Singular: Sequential
Performed by: Aaron Mattocks & Courtney Krantz
Costumes: Paul Carey
Music: Gabriel Yared
Sound: Inhan Cho
This work was made possible, in part, through the Movement Research Artist-in-Residence Program, funded, in part, by the Jerome Foundation and the Leonard and Sophie Davis Fund.

Courtney Krantz makes work in the still and moving image (both analog and digital) as well as installation and performance-based documents/pieces.This is an excerpt from a larger work-in-progress made possible, in part, through the Movement Research Artist-in-Residence Program, funded, in part, by the Jerome Foundation and the Leonard and Sophie Davis Fund.

WINGS
Choreography, text & performance: Marissa Rae Niederhauser
Music samples: Big Business and The Rolling Stones
Thank you to Movement Research and to The Field FAR Space

Marissa Rae Niederhauser has a BFA in Dance from Cornish College of the Arts, in Seattle,WA. She makes body-based work in dance, film, performance and installation. Contact marissa.rae.n@gmail.com or go to http://marissaniederhauser.blogspot.com/ for more information.

Afterword (in progress)
Choreographed and performed by Justin Cabrillos
Music by Jeremy Schmidt

Justin Cabrillos is a choreographer, artist, and writer based in Brooklyn. Cabrillos received his MFA from the School of the Art Institute of Chicago. He was a summer fellow at Ox-Bow School of Art, an IN>TIME Incubation Series artist-in-residence at the Chicago Cultural Center, and a 2011 LinkUP Artist at Links Hall in Chicago. He is the recipient of a Greenhouse grant from the Chicago Dancemaker’s Forum. Cabrillos has shown work at the Cultural Center of Chicago, the Museum of Contemporary Art Chicago, and the Movement Research Spring Festival. He has previously performed with Every house has a door, Marissa Perel, and currently with Jen Rosenblit. www.justincabrillos.com

When Who For Lucy – the shuffle performance
Choreographed and performed by Marlene Bonnesen, Sebastian Kahr Rasmussen, Nanna Stigsdatter Mathiassen and Karis Zidore
The iPod(∗) and you, the audience, are the decision makers.
Let’s shuffle!
Here are the simple rules that you, the audience, follow:
1. You start the performance by plugging in an iPod(∗) and pressing play.
2. Please change song and/or iPod(∗) whenever you want.
The performance ends when the lights go off.
(∗)”iPod” means: One of our 4 iPods put on shuffle OR your own iPod with your favorite music. All types of iPods, iPhones and other smart phones are allowed!

Karis Zidore Christensen: Please go to the When Who For Lucy group on Facebook for more information.

The Week Ahead. June 24-30.

This Week at Movement Research… Chrysa Parkinson’s Performers and Authorship workshop starts on Monday!

This is your last week to check out our FREE Saturday workshops at First Street Green!

Saturday June 29. Workshop with Kathy Westwater
SAT 12-1pm, First Park

FREE
SHAKE/WALK Workshop
Taking two everyday forms of movement, we will allow these forms to disorganize within, and to be disorganizing of, our bodies. The sensations that arise within this unstable and unbound matrix range from relaxing to energizing, from disorienting to freeing. Speculating on the physical and perceptual states that occur amidst the contingencies of environmental trauma and the precarities of economic collapse, this workshop iteration explores locating this improvisational practice in an outdoor urban environment, beyond the four walls of the studio. Open to movers of all backgrounds; wear comfortable street or dance clothes.

Upcoming Workshops and Events THIS WEEK.

International Dance Dialogues Workshop with Chrysa Parkinson.
Monday-Wednesday June 24-26 10am-3pm
Avenue C Studio, 55 Avenue C (at E 4th St)
$105 Full Workshop, $40 Single Days
REGISTER ONLINE
Performers and Authorship
A performer’s authorship is an ongoing series of events: looping back, rebuilding, erasing, uncovering, disenchanting, replacing, and stumbling into unknown territory. Anything you as a performer represent or produce is temporary, but part of a contained continuity. This continuity is not necessarily progressive, doesn’t necessarily improve or devolve. It has plasticity. It’s a continuity that both accepts and resists form, folds and swells, is flexible and forceful. This workshop aims at adding to the ongoing process of skillful perception by engaging with submerged fictions through physical performance practices. Language will be useful for its ability to distinguish one thing from another. Physical experience will be useful for its ability to humble and destabilize these distinctions. Performance experience will be useful.

Movement Research Town Hall Follow-Up Discussion: Alternative Economies.
Tuesday June 25 6:15-7:45pm
Josie’s Bar, 520 E 6th St (between Avenues A and B)
Moderated by Kathy Westwater
With panelists Tamara Greenfield, Ilona Bito and more
FREE

2012 MR Town Hall Follow-Up Discussion
We’re not done yet! In a follow-up discussion to the 2012 Movement Research Town Hall, we will look deeper into structures and alternatives that have manifested within the recent and current dance economy. Join panelists, who have been involved in splinter conversations that began after the November 5 Town Hall meeting, as they share some of their groups’ discussions. We will peek into the different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.

Classes this week with…

luciana achugar. Feeling is Believing.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Class will be taught by Melanie Maar June 17 & 19.
I like to think of dance class as a chance to grow a new body. I am in a process of developing the language that gives me access to a more sensual, animal, connected, bloody, fleshy, fatty, bony, magical, deeper than even the marrow of the bone, vibrational body, and I’d like to share it with you. Using our imagination a lot, using our breath and our voice, using touch, and also sometimes discussing and learning tools for strengthening connections and for letting go of patterns of use of ourselves. Always moving towards pleasure…

Lance Gries (subbing for Vicky Shick). Embodying and Exchanging Energy.
Tuesday & Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

This class will explore how individuals and groups embody and exchange “energy.” We will keep an open mind about how energy is present, sensed, and a source in us: inspiration, creativity, motivation, connection, collaboration, presence, emotion, spirituality – energy forms that exist in our physical and non physical experience, shaping our interactions. Guided experiences and improvisational forms bring our heightened awareness and dimensional bodies into a potent energetic state to create a supportive and collaborative environment, leading us to shared dancing, creativity, and discourse.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Janet Panetta. Ballet for Contemporary Dancers.
Monday and Tuesday. 12:00 pm-2:00 pm. $17.
Gibney Dance Center Studio 6, 890 Broadway.

Rachel Bernsen. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Charles Mosey. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Levi Gonzalez (subbing for K.J. Holmes). The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Video Clips from Movement Research at the Judson Church 6.10.2013

Featuring works by Colectivo AM (Hanub Ku Mata Caro, Magdalena Leite, Leonor Maldonado, Nuria Fragoso), and Enrico Wey.

We present 4 works-in-progress composed by 4 members of the Colectivo as part of ARRECIFE:
Objectification by Leonor Maldonado
Wall events by Nuria Fragoso
Momento Atlántida by Hunab Ku Mata Caro
Nothing matters when we’re dancing by Magdalena Leite and Anibal Conde
In 2012, Colectivo AM was invited to create a dance piece to premiere at the Museum of Contemporary Art of of the Autonomous University of Mexico in August 2013. Each member will create a new individual piece. This collection of works (10 in total) will constitute the piece ARRECIFE to be premiered at the museum.

Colectivo AM is a Mexico-based group that seeks to promote aesthetic and political reflection on dance creation. http://colectivoam.wordpress.com/

 

this is where we are right now
Structured by Enrico D. Wey
Interpreted by Simon Courchel, John McGrew, Jeremy Pheiffer, Mary Read
This is where we are right now is being developed as part of Lower Manhattan Cultural Council’s Extended Life Dance Development program made possible in part by The Andrew W. Mellon Foundation. www.lmcc.net / www.rivertorivernyc.com

Enrico D. Wey’s work has been on view at Danspace, New Museum, DTW, and St. Ann’s Warehouse Puppet Lab. Wey was a 2012 Movement Research Festival co-curator and has worked with Milka Djordjevich, Trajal Harrell, Tara O’Con, Walter Dundervill, Yvonne Meier, and for Ishmael Houston-Jones in the Bessie award-winning reconstruction of THEM (PS122, Pompidou Center, TanzImAugust, REDCAT). He has been a member of Handspring Puppet Company (South Africa) since 2004, puppeteering in Tall Horse (BAM) and in William Kentridge’s Il Ritorno d’Ulisse (SF MOMA, Theater der Welt, Edinburgh International Festival). After originating the lead role of “Joey” in the Tony Award-winning play, War Horse, he collaborated in …or and animal… at American Realness and with Jon Kinzel at Danspace. He was last seen in Little Lord’s Pocahontas at Bushwick Starr and The OUTS Chanukah Special.

The Week Ahead. June 17-23.

This Week at Movement Research… Register now for Chrysa Parkinson’s Performers and Authorship workshop coming up NEXT WEEK! It should be amazing.

Just two more weeks to check out our FREE Saturday workshops at First Street Green!

Saturday June 22. Workshop with Jennifor Monson
SAT 12-1pm, First Park

FREE
A Workshop on Navigation From the Point of View of the Body
The workshop will begin with a heightening of our own navigational strategies through the senses of sight, sound, smell and touch. This will include exercises that cultivate our ability to localize sounds, sensitize our responses to light and our perception of shape, touch and direction. Once our perceptions are tuned and our desires are activated we will begin moving in response to our environment, navigating into and from our physical imaginations as we integrate dancing into the landscape.

Read about more upcoming FREE Saturday workshops at FSG here!

Upcoming Workshops and Events NEXT WEEK.

International Dance Dialogues Workshop with Chrysa Parkinson.
Monday-Wednesday June 24-26 10am-3pm
Avenue C Studio, 55 Avenue C (at E 4th St)
$105 Full Workshop, $40 Single Days
REGISTER ONLINE
Performers and Authorship
A performer’s authorship is an ongoing series of events: looping back, rebuilding, erasing, uncovering, disenchanting, replacing, and stumbling into unknown territory. Anything you as a performer represent or produce is temporary, but part of a contained continuity. This continuity is not necessarily progressive, doesn’t necessarily improve or devolve. It has plasticity. It’s a continuity that both accepts and resists form, folds and swells, is flexible and forceful. This workshop aims at adding to the ongoing process of skillful perception by engaging with submerged fictions through physical performance practices. Language will be useful for its ability to distinguish one thing from another. Physical experience will be useful for its ability to humble and destabilize these distinctions. Performance experience will be useful.

Movement Research Town Hall Follow-Up Discussion: Alternative Economies.
Tuesday June 25 6:15-7:45pm
Josie’s Bar, 520 E 6th St (between Avenues A and B)
Moderated by Kathy Westwater
With panelists Tamara Greenfield, Ilona Bito and more
FREE

2012 MR Town Hall Follow-Up Discussion
We’re not done yet! In a follow-up discussion to the 2012 Movement Research Town Hall, we will look deeper into structures and alternatives that have manifested within the recent and current dance economy. Join panelists, who have been involved in splinter conversations that began after the November 5 Town Hall meeting, as they share some of their groups’ discussions. We will peek into the different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.

Classes this week with…

luciana achugar. Feeling is Believing.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Class will be taught by Melanie Maar June 17 & 19.
I like to think of dance class as a chance to grow a new body. I am in a process of developing the language that gives me access to a more sensual, animal, connected, bloody, fleshy, fatty, bony, magical, deeper than even the marrow of the bone, vibrational body, and I’d like to share it with you. Using our imagination a lot, using our breath and our voice, using touch, and also sometimes discussing and learning tools for strengthening connections and for letting go of patterns of use of ourselves. Always moving towards pleasure…

Vicky Shick. Morning Class.
Tuesday & Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Class will be taught by Lance Gries June 25 & 27
Class will begin with systematically readying an alert body and mind for full-out and detailed dancing which we will do in the second part of class. The goal is to help each dancer increase self and body awareness, level of articulation, strength, technical facility, and almost most importantly, focus. The warm up is simple and straightforward with an emphasis on alignment, physical mechanics, and also leaving space for sensation and feedback from our bodies as we work collaboratively to arrive at dancing. Through the practice of doing phrase work with a wide range of physicality and co-ordinations, we hone our skills and apply our training. And with repetition and exploration we educate ourselves and deepen the understanding of the intelligence in our bodies.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
Tuesday, 6:15-7:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Janet Panetta. Ballet for Contemporary Dancers.
Monday, Tuesday, Thursday and Friday. 12:00 pm-2:00 pm. $17.
Gibney Dance Center Studio 6, 890 Broadway.

Rachel Bernsen. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Charles Mosey. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

The Week Ahead. June 10-16.

This Week at Movement Research…  Come check out a FREE workshop at First Street Green this Saturday with our very own Diana Crum! Also, come join us for the LAST Judson of the Spring 2013 Season!

Monday June 10. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Colectivo AM (Hunab Ku Mata Caro, Magdalena Leite, Leonor Maldonado, Nuria Fragoso)*; Malin Elgán***; Kajsa Sandstrom; Enrico Wey

*MRX/Mexico Exchange Artists
**2011 Movement Research Artist-in-Residence
***MRX Sweden in collaboration with Konstnärsnämnden/The International Dance Programme, Sweden

Movement Research at First Street Green is back!

Saturday June 15. Workshop with Diana Crum
SAT 12-1pm, First Park

FREE
Using play as a research practice, we will spontaneously move in response to the stimuli in the park. We will practice awareness through improvisation and phrase-making. We’ll also get lost in the complicated way movement teaches us about where we are. It is open to all.

Read about more upcoming FREE Saturday workshops at FSG here!

Upcoming Workshops and Events.

International Dance Dialogues Workshop with Chrysa Parkinson.
Monday-Wednesday June 24-26 10am-3pm
Avenue C Studio, 55 Avenue C (at E 4th St)
$105 Full Workshop, $40 Single Days
REGISTER ONLINE
Performers and Authorship
A performer’s authorship is an ongoing series of events: looping back, rebuilding, erasing, uncovering, disenchanting, replacing, and stumbling into unknown territory. Anything you as a performer represent or produce is temporary, but part of a contained continuity. This continuity is not necessarily progressive, doesn’t necessarily improve or devolve. It has plasticity. It’s a continuity that both accepts and resists form, folds and swells, is flexible and forceful. This workshop aims at adding to the ongoing process of skillful perception by engaging with submerged fictions through physical performance practices. Language will be useful for its ability to distinguish one thing from another. Physical experience will be useful for its ability to humble and destabilize these distinctions. Performance experience will be useful.

Movement Research Town Hall Follow-Up Discussion: Alternative Economies.
Tuesday June 25 6:15-7:45pm
Josie’s Bar, 520 E 6th St (between Avenues A and B)
Moderated by Kathy Westwater
With panelists Tamara Greenfield, Ilona Bito and more
FREE

2012 MR Town Hall Follow-Up Discussion
We’re not done yet! In a follow-up discussion to the 2012 Movement Research Town Hall, we will look deeper into structures and alternatives that have manifested within the recent and current dance economy. Join panelists, who have been involved in splinter conversations that began after the November 5 Town Hall meeting, as they share some of their groups’ discussions. We will peek into the different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.

Classes this week with…

luciana achugar. Feeling is Believing.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Class will be taught by Levi Gonzalez this Friday June 14
I like to think of dance class as a chance to grow a new body. I am in a process of developing the language that gives me access to a more sensual, animal, connected, bloody, fleshy, fatty, bony, magical, deeper than even the marrow of the bone, vibrational body, and I’d like to share it with you. Using our imagination a lot, using our breath and our voice, using touch, and also sometimes discussing and learning tools for strengthening connections and for letting go of patterns of use of ourselves. Always moving towards pleasure…

Vicky Shick. Morning Class.
Tuesday & Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Class will begin with systematically readying an alert body and mind for full-out and detailed dancing which we will do in the second part of class. The goal is to help each dancer increase self and body awareness, level of articulation, strength, technical facility, and almost most importantly, focus. The warm up is simple and straightforward with an emphasis on alignment, physical mechanics, and also leaving space for sensation and feedback from our bodies as we work collaboratively to arrive at dancing. Through the practice of doing phrase work with a wide range of physicality and co-ordinations, we hone our skills and apply our training. And with repetition and exploration we educate ourselves and deepen the understanding of the intelligence in our bodies.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
Tuesday, 6:15-7:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Janet Panetta. Ballet for Contemporary Dancers.
Monday, Tuesday, Thursday and Friday. 12:00 pm-2:00 pm. $17.
Gibney Dance Center Studio 6, 890 Broadway.

Rachel Bernsen. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Charles Mosey. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

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