Posts Tagged ‘Aaron Mattocks’

The Week Ahead. November 4-11.

This Week at Movement Research…

Sunday November 4. Judson @ 50: MR in Residence at the New Museum.
“Talking about my generation”:
Jill Johnston and the Critic as Subject

3pm. New Museum, 235 Bowery.

POSTPONED! We will do our best to reschedule as soon as possible.

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio, 47 West 28th St.
$20 per class, or $70 for the 4-Class Series
Click here to Register Online

June Ekman’s Monday Morning Class
The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on,” as well as exploration of standing and walking.

Tuesday November 6. Judson @ 50: Judson Through the Eyes of Filmmakers.
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members
JDT was not exclusively a dance movement. Artists of various disciplines participated in the movement that came to be known as JDT, including filmmakers. This screening highlights some of the many collaborations between Judson artists and film artists who were pushing at the boundaries of both forms.
Films will include:
Jonas Mekas CUP/SAUCER/TWO DANCERS/RADIO (1965/83, 23 min, 16mm)
With Kenneth King & Phoebe Neville.
Simone Forti CLOTHS (fragment) (1967, 5 min, 16mm-to-video)
Camera: Hollis Frampton.
Simone Forti & Anne Tardos STATUES(1977/99, 14 min, video)
Babette Mangolte WATER MOTOR (1978, 7 min, 16mm, b&w

Tuesday November 6. Judson @ 50: George Manupelli’s CRY DR. CHICAGO
9pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members
Cry Dr. Chicago. 1971, 90 minutes, 16mm. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation. Lab work by Cineric, Inc., and Trackwise.
In Manupelli’s wonderfully cracked feature, which had fallen almost entirely into oblivion when Anthology was able to revive and preserve it in 2008, Dr. Chicago (played by venerable composer Alvin Lucier) is a sex-change surgeon on the run from the law, forever on his way to Sweden and always out to make a buck. Along for the ride are his faithful companions Sheila Marie (the delightfully zonked-out Mary Ashley) and Steve (brilliantly, and silently, portrayed by the great dancer Steve Paxton, a founding member of Judson Dance Theater). By far one of the most enjoyable feature films to come out of the 1960s underground era.

Wednesday November 7. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Emily Alpren, Brendan Drake. white road Dance Media, and Hadar Ahuvia.
Moderated by Cristiane Bouger *
*2012 Movement Research Artist-in-Residence

Wednesday November 7. Mårten Spångberg, and the Judson Imprint in Europe: Performance and Discussion.
7-10pm. New Museum, 235 Bowery.
ALL TICKETS Now $12 (New Museum Member Price)

Co-presented with Goethe-Institut New York with support from the Barbro Osher Pro Suecia Foundation
7pm Performance by Mårten Spångberg
In Powered by Emotion MÃ¥rten SpÃ¥ngberg reconstructs the Goldberg Variations, the fantastic dance improvisations by the American dance legend Steve Paxton, and several songs from the Buena Vista Social Club.Paxton himself said, SpÃ¥ngberg’s piece actually stands alone, more than being a reconstruction of anything particular. Can one reconstruct an improvisation? This question is not so interesting as the result of SpÃ¥ngberg’s ‘translation process’ itself.
Discussion to follow immediately after the performance: In the second part of the evening, moderated by Claude Wampler, Spångberg will be joined by artists including DD Dorvillier, and will address the following question: How does the imprint of Judson Dance Theater function within the contexts of European and American performance respectively?

Thursday-Friday November 8-9. Chez Bushwick Presents Movement Research Artists-in-Residence at CPR.
8pm. Center for Performance Research, 361 Manhattan Avenue.

$12 tickets available in advance online; $15 tickets (cash only) at the door
CLICK HERE TO BUY TICKETS
November 8:
Anna Azrieli, Laurie Berg and Walter Dundervill
November 9:
Maximilian Balduzzi, Rebecca Davis, Ben Spatz and Miriam Wolf

Sunday November 11. Workshop with Simone Forti.
1-5pm. Douglas Dunn Studio.
$50 Click Here to Register Online
Body Mind World, Movement & Language Improvisation
Sometimes our words don’t have access to what we know in our bones, while our dancing doesn’t have access to what’s on our minds. In this workshop we will explore the synergy between movement and language to engage with subject matter that interests us. The class will include warm-ups to awaken our kinetic juices, and focused stream of consciousness writing to put us in touch with our wild thoughts and observations. We will divide our class time between purely improvising with movement, talking together about whatever has been on our minds, and improvising combining moving and speaking.

Classes this week with: Levi Gonzalez, Janet Panetta, Barbara Mahler, Jennifer Nugent, Irene Dowd, Rebecca Brooks, Karl Anderson, Jen Rosenblit, Shakti Smith, Rebecca Bone, Jesse Johnson, Mark Messer, Brandin Steffensen.

Upcoming

Tuesday-Wednesday November 20-21 . Workshop with Deborah Hay.
10am-1pm. Avenue C Studio.
$75 SOLD OUT! Email info@movementresearch.org with your name, phone number, and email address to join the waitlist.
What if our attention is not on what we do onstage but how we can be continuously enlarging our experience of dance as we dance?

Video Clips From Movement Research at the Judson Church 10.22.2012

Featuring works by Gabriel Forestieri, Aaron Mattocks, and Grace Courvoisier

We Buried Her Standing Up
Choreographer: Grace Courvoisier
Costume: Grace Courvoisier
Text: Grace Courvoisier in collaboration with dancers
Collaboration: Klara Beyeler
Dancers: Tiana Fridley, Lane Halperin, Mindy Upin, Katherine Roarty, Brittany Sylwestrak
Notes: “…tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life…” – Louisa May Alcott, Little Women

Grace Courvoisier, a native of Las Vegas, NV, studied Graham, Horton, and Composition at LVA Performing Arts High School, and the Vaganova technique with Nevada Ballet Theatre, before going on to receive her BFA from the University of Illinois at Champaign-Urbana. Grace was also selected to perform in the reconstruction of Bill T. Jones/Arnie Zane Dance Company’s D-Man In The Waters (National Endowment for the Arts) in 2008. She created a number of works during her undergraduate, including Sister Republic, which went on to be performed in Chen Dance Center’s New Steps Choreographer’s Series in NYC 2011. Her repertory also includes Good Morning, Arcadia (2010), Night Song (2011), You Are The Opera (2012), and her brand new work We Buried Her Standing Up (2012).

on reflections, refractions & atmospheric optics
Created by: Aaron Mattocks
Performance: Aaron Mattocks and Amanda Villalobos

Aaron Mattocks, a Pennsylvania native and Sarah Lawrence College alumnus, has created roles in premiers by Big Dance Theater (dir. Annie-B Parson/Paul Lazar), David Gordon, Phantom Limb (dir. Jessica Grindstaff/Erik Sanko), Stephen Petronio, Jodi Melnick, Steven Reker, Yoshiko Chuma, Christopher Williams, Ursula Eagly, Kathy Westwater, and John Heginbotham; and also performed with Doug Elkins, John Kelly, Dean Moss, and David Parker/The Bang Group. His own work ahs been shown at THROW (The Chocolate Factory), Late-Nite Cabaret @ FLICFest (Irondale Center), for Sarah Maxfield’s One-Shot, and at 92Y Fridays at Noon. As a writer, his work has been published on Culturebot, Hyperallergic, The Performance Club, and in The Brooklyn Rail. He is also the Editor of Critical Correspondence, Movement Research’s online publication. He will next appear in Faye Driscoll’s You’re Me at ICA/Boston. aaronmattocks.com

Blindspot
Choreographer: Gabriel Forestieri
Performers: Gabriel Forestieri, Troy Ogilvie, Paul Singh
Legacies are always stifling, Judson is no different. We are all shaped by so many unseen forces and there seem to be few escapes from the past. A lifetime of influences are inside any action just as a body is a record of every movement it has made. We practice relating and including with you, the church, and each other as a guide to move beyond what we have been and reach into what we could be.

As the Choreographer/Director of projectLIMB Gabriel Forestieri is deeply engaged with including the world in his art. ProjectLIMB has performed in Hawaii, Pittsburgh, Dallas, Washington D.C., Paris, Rome, San Francisco, Thailand, and New York City. ProjectLIMB’s work has been presented in NYC at DTW, The Tank, Teaneck Creek Conservancy, QCA Solar One, Central Park, BAX, White Wave, The Puffin Room, and Symphony Space. ProjectLIMB has been involved with numerous residences including the AIR at Earthdance, Solar One Dance Res, Art Mill in Jeffersonville NY, SEEDS at Earthdance, DTW’s Outer/Space, The Wave Rising Festival, in Hawaii at the Ulua Theatre, and at Art Omi. He was a founding company member in 2011 of the NYC mounting of Sleep No More, the Off Broadway sensation.

The Week Ahead. October 22-28.

This Week at Movement Research… We’re excited to kick off the Fall 2012-Winter 2013 season of Movement Research at the Judson Church this Monday!

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Aaron Mattocks, and Gabriel Forestieri.

Wednesday October 24. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Eliza Ladd, Drew Madland, Cornerspoon, and Rosalie Elkinton.
Moderated by RoseAnne Spradlin *

Workshop with Mårten Spångberg:
Choreography As Expanded Practice/Dance As Autonomous Medium
A series of softly, or non-causally connected seminars

Thursday October 25, 4-6pm.
Sunday October 28, 12-2pm.
Sunday November 4, 12-2pm.
MoMA PS1, Corner Gallery, Second Floor
FREE with RSVP: alex_sloane@moma.org

This seminar addresses, through open research and experimentation, the shifting contexts of choreography and dance in contemporary society. It considers dance and choreography as work engaged in specific modes of production and not primarily as expression or representation. The workshop drafts notions of choreography as expanded practice next to probing the grounds for the possibility of dance to again identify itself as an autonomous medium. The different sessions embark on excessive detours into economy, policy and politics, detecting the position of dance and choreography within the context of neo-liberalism and a society where subjectivity and time has been corporatized. It is, at the same time, an attempt to open a ground for dance and choreography in respect to composition, improvisation, expression, organization, interpretation and affect. The different seminars can be attended as a connected series to be finalized with a presentation at MoMA PS1 on November 4, 2012 but can also be attended as separate events. Participants need no dance background but should bring something nice to dance in, and a blanket is always good.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

*2012 Movement Research Artist-in-Residence

Classes this week with: DD Dorvillier, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit and Bradley Teal Ellis

Upcoming.

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

Sunday November 4. Judson @ 50:
MR in Residence at the New Museum.
“Talking about my generation”:
Jill Johnston and the Critic as Subject

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public
Critical Correspondence is an online publication of Movement Research. For this program, Critical Correspondence coeditors Aaron Mattocks and Marissa Perel honor the celebrated writer and critic Jill Johnston, whose experimental and personal voice communicated the culture of the interdisciplinary 1960s art scene. In light of Johnston’s innovative contributions to the form, this conversation considers contemporary criticism and the writer as subject. Speakers include frontrunners of print journalism and the blogosphere alike. Performative readings of reviews on dance and performance are included.

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio.
$20 per class
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops
June Ekman’s Monday Morning Class

The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on”, as well as exploration of standing and walking.

The Week Ahead. October 15-21.

This Week at Movement Research… Join us for Open Performance and another special Judson @ 50 event in partnership with Anthology Film Archives – JUDSON: SECOND GENERATION AND BEYOND!

Tuesday October 16. Judson @ 50:
MR in Partnership with Anthology Film Archives

JUDSON: SECOND GENERATION AND BEYOND
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members

Judson had an impact much larger than its three year existence would suggest. Many artists were deeply influenced by the ground broken by JDT, either directly or indirectly. This screening looks at work that bears the imprint of Judson but moves beyond the boundaries of that seminal period:

Richard Rutkowski
THE SPACE IN BACK OF YOU
2011, 65 min, digital video.
This highly visual and visceral documentary investigates the creative life of Suzushi Hanayagi, a powerful, innovative, even radical Japanese dancer and choreographer. For over 20 years she was a close collaborator with and major influence on theater legend Robert Wilson, who referred to her simply as “my teacher”. When Wilson discovers Hanayagi living in an old-age home and suffering from Alzheimer’s, Wilson resolves to work with her once again. Poignant witness to the transition of a life from vibrancy to legacy, this film becomes the final collaboration between a great teacher and her most renowned student.

CHANNEL Z (live performance excerpt, P.S. 122, 1986)
1986, 20 min, video
Channel Z (1982-1990) was a collaborative improvisation group that initially formed out of a series of dance sessions organized by Robin Feld for people who were teaching Contact Improvisation in New York City. Featuring: Paul Langland, Daniel Lepkoff, Diane Madden, Nina Martin, Randy Warshaw.

Steve Paxton
FALL AFTER NEWTON
1987, 23 min, video.
A sweeping look at 11 years of practice of Contact Improvisation by Nancy Stark Smith and Steve Paxton. The progression from its beginnings in 1972 through successive years of performances up to 1983 shows one strand of the development of this multifaceted duet dance form.

Wednesday October 17. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Molly Poerstel-Taylor, Andary Dance, and Lia Bonfilio.
Moderated by Strauss Bourque-Lafrance. **

Classes this Week with: Asli Bulbul, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit, and Bradley Teal Ellis.

** 2011 Movement Research Artist-in-Residence

Upcoming.

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Gina Graham, Aaron Mattocks, and Gabriel Forestieri.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron
3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

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