Posts Tagged ‘katie workum’

Week Ahead Blog Post: June 15-22

This Week at Movement Research…

rotator_SPL_MinaNishimura

 Sunday Process Lab with Mina Nishimura

Sunday June 15 5:00 pm-8:00 pm $5
Movement Research at Eden’s Expressway

In this laboratory, my current research around butoh scores and internal landscape as well as some of my somatic practices around nuanced forms and movements will be shared and practiced with participants. After a brief introduction to butoh and butoh scores, how to use actual butoh scores in your own creation process will be explored and discussed. Drawing and writing are involved in the process of exploration.

RSVP here

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PERFORMANCES AND EVENTS:

Monday June 16. Movement Research at the Judson Church

Performances by Julian Barnett, Caitlin Cook, Paul Singh, Katie Workum

Judson Church, 8:00 pm
55 Washington Square South
New York, NY
FREE

 

Tuesday, June 17. Open Performance

Moderator Mina Nishimura

Performances by Richard Olson, Catarina Trota, Elena Vazintaris Dance Projects

Eden’s Expressway
537 Broadway, 4th Floor
New York, NY
FREE

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MORNING CLASS:

rotator_lucianaachugar2014
luciana achugar. Morning Class

Monday June 16 last day10am-12pm. $14 
Eden’s Expressway, 537 Broadway, 4th Floor.

luciana achugar is a Brooklyn-based choreographer from Uruguay who grew as an artist in close dialogue with the NY and Montevideo contemporary dance communities. She began making work collaboratively with Levi Gonzalez in 1999, and in 2002 she started working independently. Her work is concerned with the post-colonial world, searching for an undoing of current power structures from the inside out. She is a two-time “Bessie” recipient, a Guggenheim Fellow and Creative Capital Grantee
Read luciana’s class description here.

 

rotator_LeviGonzalez
Levi Gonzalez. Morning Class
June 18-July 2. Monday, Wednesday, Friday 10am-12pm. $14
Eden’s Expressway, 537 Broadway, 4th Floor.
Levi Gonzalez is a dance artist whose work has been presented in NYC and beyond for the past 14 years. He has performed with Donna Uchizono, John Jasperse, Juliette Mapp, Daria Faïn, ChameckiLerner, and Michael Laub, and has collaborated extensively with luciana achugar. He was most recently a 2010-12 BAX Artist-in-Residence.
Read Levi’s class description here

 

rotator_VickyShick

Vicky Shick. Morning Class
June 17-June 26. Tuesday, Thursday 10am-12pm. $14 
Movement Research at Danspace Project, 131 E 10th St.
Vicky Shick has been involved in the NYC dance community since the late 1970s. A member of the Trisha Brown Dance Company for 6 years, she has also worked with many other NYC-based choreographers and has made dances for over 20 years. She received “Bessies” for performance and choreography and most recently showed work in April 2013 at Danspace Project. In addition to showing her work at Danspace, DTW, The Kitchen, and P.S 122, she has made dances for Arizona State, Barnard College and George Washington University. Shick teaches regularly in Europe and the U.S, mostly for Movement Research, and for the last 12 years at Hunter College. She was a 2006 Foundation for Contemporary Arts grant recipient and a 2008 Guggenheim Fellow.
Read Vicky’s class description here

ONGOING CLASSES (Click here for full descriptions):

Barbara Mahler. Klein Technique™
Tuesday, Thursday 10am-12pm. $14
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor

luciana achugar. Morning Class
Monday, Wednesday, Friday 10am-12pm. $14
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor

Kayvon Pourazar. Morning Class 
Tuesday, Thursday 10am-12pm. $14 
Movement Research at Danspace Project, 131 E 10th St.

Shelley Senter. Alexander Technique
Wednesday 12:30-2pm. $14
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor

Charles Mosey. Contact Improvisation
Wednesday 6-8:30pm. $14
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor

Jen Rosenblit. Improvisational Forms
Saturday 11am – 1pm. $14
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor

 

 

Video Clips from Movement Research at the Judson Church 4.8.2013

Featuring works by Anna Marie Shogren, Ashley Byler, Katie Workum, Abby Zbikowski, and RoseAnne Spradlin.

Dong
Created by Anna Marie Shogren, with Eloise DeLuca
Joined by musicians, Jacqui Cornetta, Heather Garland, Lillie Jayne, Lisa Loew, and Katie Rose Sardelli
Music from Daktaris, Val Bennett, and Machine

Anna Marie Shogren is a native Minneapolitan, and U of MN grad, come to Brooklyn, based artist. Her choreography has been seen at DNA, Gowanus Ballroom, Flux Factory, AUNTS, Catch!, The Walker, Southern Theater, Bryant Lake Bowl, and Pieter. She is currently dancing with the Body Cartography Project and Faye Driscoll, and previously with Morgan Thorson, Karen Sherman, Justin Jones, Laurie Van Wieren, Chris Schlichting. She works with the Brooklyn based art collective, Non Solo. annamarieshogren.tumblr.com

4 Studies (to be performed in any order):
Ashley Byler and Jeremy Pheiffer with help from Hadar Ahuvia and Aston McCullough
Performers: Ashley Byler and Jeremy Pheiffer
Music: Run the World (Girls) by Beyonce
1. Accumulation: Variation Bey
Trisha Brown’s 1971 work re-imagined with Beyonce Knowles as inspiration for “pedestrian”
2. Retro-bey
A phrase combining various Beyonce movements danced forward and backward (structurally based on the “Main” phrase of Trisha Brown’s Sololos)
3. Coordination Score
Based on imagined rules for bodily coordination used in Trisha Brown’s Water Motor
4. Tofo Motor
Moving between the steps of dance group Tofo Tofo and movements inspired by Water Motor

Ashley Byler, B.A. Music/Psychology, University of Alabama in Huntsville, MFA Dance Sarah Lawrence College, has shown work at DTW Studio Series, The Field’s Uptown/Downtown, Judson Church, and Ketchikan Theatre Ballet. She is an early childhood arts educator and dances with Sara Rudner. She is reclaiming “pedestrian” from post-modern dance, using popular dance and rigorous composition. Sources cited for tonight’s work (as seen on YouTube): Trisha Brown; Water Motor, Accumulation, Sololos (“Main” phrase), Beyonce; Run the World (Girls), Single Ladies, Bad Girl from Usher concert circa 2006

Black Lakes (in progress)
With: Weena Pauly, Eleanor Smith and Katie Workum
Not here tonight, but part of the work: Katy Pyle

Katie Workum is a choreographer working in New York. Most recently she premiered Fruitlands at The Chocolate Factory. In addition to making dances, she has also worked for Ivy Baldwin, Young Jean Lee, Will Rawls, David Neumann, Stacy Dawson and others. katieworkum.org

low slung
choreographer: Abby Zbikowski with performers
music: The Reatards
performers: Jennifer Meckley, Fiona Lundie
costumes: Jennifer Meckley, Fiona Lundie

Abby Zbikowski received her MFA in choreography from The Ohio State University, where she currently teaches full time in the Department of Dance, and makes work with her company, the new utility, that questions the role of movement in dance and the use of form. She holds a BFA in dance from Temple University and post-graduation worked with Philadelphia-based artists George Alley/Alley Ink Dance and Charles O. Anderson/dance theatre X, and is a current performer/collaborator with the Columbus, OH based Baker & Tarpaga Dance Project. As a choreographer, Abby’s work has been presented at DNA’s Raw Material in NYC, and the nEW Festival, Philly Fringe, Collage Festival, and New Edge Mix series in Philadelphia, among others.

Studies for disappearance
Choreography by RoseAnne Spradlin
Performed by Evvie Allison, Asli Bulbul, Siobhan Burke, Lily Gold, Juri Onuki, Rebecca Warner and Rebecca Wender
Music: Hello Stranger by Barbara Lewis
This project was made possible, in part, through the Movement Research Artist-in-Residence Program, funded, in part, by the Davis/Dauray Family Fund and the New York City Department of Cultural Affairs in partnership with the City Council.

RoseAnne Spradlin has been creating choreographic work in New York City since the early 1990s. Spradlin’s work has been recognized with numerous awards, including a New York Dance and Performance “Bessie” for Choreography in 2003, a Guggenheim Fellowship in 2007, the three year Lambent Fellowship in Performing Arts in 2006-08, the Artist Award from the Foundation for contemporary Arts in 2007 and an Artist Grant from the Doris Duke Charitable Foundation Creative Exploration fund in 2009. RoseAnne has been an Artist-in-Residence this year with Movement Research and BAX and would like to thank both organizations for their support. Also, many thanks to the dancers!!

Video Clips from Movement Research at the Judson Church 4.8.2013

Featuring works by Anna Marie Shogren, Ashley Byler, Katie Workum, Abby Zbikowski, and RoseAnne Spradlin*.

Dong
Created by Anna Marie Shogren, with Eloise DeLuca
Joined by musicians, Jacqui Cornetta, Heather Garland, Lillie Jayne, Lisa Loew, and Katie Rose Sardelli
Music from Daktaris, Val Bennett, and Machine

Anna Marie Shogren is a native Minneapolitan, and U of MN grad, come to Brooklyn, based artist. Her choreography has been seen at DNA, Gowanus Ballroom, Flux Factory, AUNTS, Catch!, The Walker, Southern Theater, Bryant Lake Bowl, and Pieter. She is currently dancing with the Body Cartography Project and Faye Driscoll, and previously with Morgan Thorson, Karen Sherman, Justin Jones, Laurie Van Wieren, Chris Schlichting. She works with the Brooklyn based art collective, Non Solo. annamarieshogren.tumblr.com

4 Studies (to be performed in any order):
Ashley Byler and Jeremy Pheiffer with help from Hadar Ahuvia and Aston McCullough
Performers: Ashley Byler and Jeremy Pheiffer
Music: Run the World (Girls) by Beyonce
1. Accumulation: Variation Bey
Trisha Brown’s 1971 work re-imagined with Beyonce Knowles as inspiration for “pedestrian”
2. Retro-bey
A phrase combining various Beyonce movements danced forward and backward (structurally based on the “Main” phrase of Trisha Brown’s Sololos)
3. Coordination Score
Based on imagined rules for bodily coordination used in Trisha Brown’s Water Motor
4. Tofo Motor
Moving between the steps of dance group Tofo Tofo and movements inspired by Water Motor

Ashley Byler, B.A. Music/Psychology, University of Alabama in Huntsville, MFA Dance Sarah Lawrence College, has shown work at DTW Studio Series, The Field’s Uptown/Downtown, Judson Church, and Ketchikan Theatre Ballet. She is an early childhood arts educator and dances with Sara Rudner. She is reclaiming “pedestrian” from post-modern dance, using popular dance and rigorous composition. Sources cited for tonight’s work (as seen on YouTube): Trisha Brown; Water Motor, Accumulation, Sololos (“Main” phrase), Beyonce; Run the World (Girls), Single Ladies, Bad Girl from Usher concert circa 2006.

Black Lakes (in progress)
With: Weena Pauly, Eleanor Smith and Katie Workum
Not here tonight, but part of the work: Katy Pyle

Katie Workum is a choreographer working in New York. Most recently she premiered Fruitlands at The Chocolate Factory. In addition to making dances, she has also worked for Ivy Baldwin, Young Jean Lee, Will Rawls, David Neumann, Stacy Dawson and others. katieworkum.org

low slung
choreographer: Abby Zbikowski with performers
music: The Reatards
performers: Jennifer Meckley, Fiona Lundie
costumes: Jennifer Meckley, Fiona Lundie

Abby Zbikowski received her MFA in choreography from The Ohio State University, where she currently teaches full time in the Department of Dance, and makes work with her company, the new utility, that questions the role of movement in dance and the use of form. She holds a BFA in dance from Temple University and post-graduation worked with Philadelphia-based artists George Alley/Alley Ink Dance and Charles O. Anderson/dance theatre X, and is a current performer/collaborator with the Columbus, OH based Baker & Tarpaga Dance Project. As a choreographer, Abby’s work has been presented at DNA’s Raw Material in NYC, and the nEW Festival, Philly Fringe, Collage Festival, and New Edge Mix series in Philadelphia, among others.

Studies for disappearance
Choreography by RoseAnne Spradlin
Performed by Evvie Allison, Asli Bulbul, Siobhan Burke, Lily Gold, Juri Onuki, Rebecca Warner and Rebecca Wender
Music: Hello Stranger by Barbara Lewis
This project was made possible, in part, through the Movement Research Artist-in-Residence Program, funded, in part, by the Davis/Dauray Family Fund and the New York City Department of Cultural Affairs in partnership with the City Council.

RoseAnne Spradlin has been creating choreographic work in New York City since the early 1990s. Spradlin’s work has been recognized with numerous awards, including a New York Dance and Performance “Bessie” for Choreography in 2003, a Guggenheim Fellowship in 2007, the three year Lambent Fellowship in Performing Arts in 2006-08, the Artist Award from the Foundation for contemporary Arts in 2007 and an Artist Grant from the Doris Duke Charitable Foundation Creative Exploration fund in 2009. RoseAnne has been an Artist-in-Residence this year with Movement Research and BAX and would like to thank both organizations for their support. Also, many thanks to the dancers!!

*2012 Movement Research Artist-in-Residence

The Week Ahead. April 8-14.

This Week at Movement Research… Come check out what should be a great workshop with Larissa Velez-Jackson at Eden’s Expressway!

Monday April 8. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Ashley Byler, Anna Marie Shogren, RoseAnne Spradlin*, Katie Workum, Abigail Zbikowski

Wednesday April 10. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Kai Kleinbard, Amanda McNussen and Dancers, Alexandra Pinel, Daniela Tenhamm Tejos
Moderated by Katia Castaneda Urzua*

*2012 Movement Research Artist-in-Residence

Workshop This Week.

April 12-20. Workshop with Larissa Velez-Jackson.
April 12 FRI 2:30-5:30pm
April 13 SAT 4:30-7:30pm
April 19 FRI 2:30-5:30pm
April 20 SAT 4:30-7:30pm
Movement Research at Eden’s Expressway
$70 Full Workshop, $18 Drop-In

Register Now!
What is My Work? A workshop based on the format of a peer panel review
Facilitated by Larissa Velez-Jackson
Much value is placed on the idea of artwork that is at the cutting edge, with the words “pushing boundaries” emphasized in grants, applications and curating language. This conversation examines what might be meant by “pushing boundaries”? How important is it in the creative process and its outcome? Is the point of view of the artist different from the one of the audience when determining something as “pushing boundaries”? What assumptions or cultural contexts are assumed to establish these boundaries? Are there other ways to value contemporary work?

Upcoming Workshops and Studies Projects.

Wednesday April 17. Studies Project: “Pushing Boundaries.”
6:15pm
Gibney Dance Center
Conceived by Ori Flomin
With panelists Arthur Aviles, Jennifer Wright Cook, Colleen Thomas, Larissa Velez-Jackson and more
Moderated by Moira Brennan
FREE

Much value is placed on the idea of artwork that is at the cutting edge, with the words “pushing boundaries” emphasized in grants, applications and curating language. This conversation examines what might be meant by “pushing boundaries”? How important is it in the creative process and its outcome? Is the point of view of the artist different from the one of the audience when determining something as “pushing boundaries”? What assumptions or cultural contexts are assumed to establish these boundaries? Are there other ways to value contemporary work?

Wednesday-Friday May 1-3. Workshop with Lance Gries.
2:30-5:30pm
Movement Research at Eden’s Expressway
$90

Register Now!
Embodying and Exchanging Energy
This workshop will explore how individuals and groups embody and exchange “energy.” We will keep an open mind about how energy is present, sensed, and a source in us: inspiration, creativity, motivation, connection, collaboration, presence, emotion, spirituality – energy forms that exist in our physical and non physical experience, shaping our interactions. Guided experiences and improvisational forms bring our heightened awareness and dimensional bodies into a potent energetic state to create a supportive and collaborative environment, leading us to shared dancing, creativity, and discourse.

Classes this week with…

Jon Kinzel. Technique / EXERCISES IN COMPOSITION.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

This class is designed to access multiple threads at once such as greater range of motion and articulation, isolated and momentum-driven movement forms, rhythmic and kinesthetic intelligence, sense of scale, ascent and descent, injury prevention, alignment, personal and musical expression, and dancing that supports a balanced square orientation over a vertical axis while traversing through space, and shifting off center, in a mode that reflects a play between athleticism, performance, and a particular disposition.

David Thomson. Morning Class.
Tuesday & Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Class will be taught by Kayvon Pourazar on April 16 & 18. This class will focus on alignment, weight, clarity of momentum, and breath. Using influences from Chi Gong, Alexander, yoga, modern and postmodern constructs to release the joints, connect to the floor, lengthen the spine, activate the senses and warm the body. We continue the exploration in the second half through a combination of improvisation, phrase material and other choreographic structures to expand the experience of dancing.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
NO CLASS this Tuesday evening.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Janet Panetta. Ballet for Contemporary Dancers.
Tuesday, Thursday and Friday. 12:00 pm-2:00 pm. $17.
Gibney Dance Center Studio 6, 890 Broadway.

Irene Dowd.
Tuesday. 3:00 pm-4:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Clare Maxwell. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Tim O’Donnell. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Video Clips from Movement Research at the Judson Church, January 23, 2012

Video Clips from Movement Research at the Judson Church, January 23, 2012.

Featuring works by Thomas Hauert, Leslie Cuyjet, Katie Workum.

Read the rest of this entry »

The Week Ahead. January 23-29, 2012.

This Week at Movement Research… Workshop with Thomas Hauert and Studies Project: Dance and the Occupy Movement

Monday January 23. Movement Research at the Judson Church.
8pm. Judson Memorial Church.
Featuring works by Leslie Cuyjet, Thomas Hauert, Katie Workum

Tuesday Jan 25 – Friday Jan 27. Workshop with Thomas Hauert
12:15 pm-2:45 pm. Avenue C Studio, 55 Ave C, at 4th St
Full workshop $75, Drop-in $22

register www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops
Tools for Dance Improvisation

Every joint of our body has its range of movement, there are countless possible combinations. The body contains a great practical knowledge far beyond what the mind is capable of processing, resulting in an ever-changing, fluid sense of orientation that can serve as a sensor for potential movement. Through (group) improvisation with one or more partners, exchanging information through touch, we will take advantage of this phenomenon to create forms, rhythms, movement qualities more sophisticated than our minds could invent. This event is part of International Dance Dialogues (IDD), created and curated by Janet Panetta.

Wednesday January 25. Studies Project: Dance and the Occupy Movement
7:30pm. Hemispheric Institute of Performance and Politics. 20 Cooper Square, 5th Floor.
FREE
Organized by Abigail Levine
“Exploring an expanded notion of choreography and how it is related to our social and political organization and discovery of ourselves as individuals working within a temporary collective… circling and questioning around ideas of a moving community.” –Movement Research Festival Spring 2011 brochure “Exercise your right to peaceably assemble; occupy public space; create a process to address the problems we face, and generate solutions accessible to everyone.”
–Declaration of the Occupation, NYC General Assembly

What are the points of contact between experimental, contemporary dance and the Occupy Movement? As spatial and embodied practice? As social investigation and organization? As improvisation and movement? As agents of change? How do and might these moving communities interact? How do we approach (public and private) space in New York City? Barbara Browning, Paloma McGregor, Clarinda Mac Low, Edisa Weeks, and Daniel Lang-Levitsky open a conversation about this creative political moment.

Wednesday January 25. Open Performance.
8pm. A.R.T./New York South Oxford Space.
Featuring work by Lauren Kearns, Athena Kokoronis, Heather Doyle, Clyde Forth
Moderated by Strauss Bourque-LaFrance, MR 2011 Artist-in-Residence

Classes this Week with: Charlie Mosey, Joanna Kotze, Janet Panetta, Michelle Boule, Barbara Mahler, Thomas Hauert, K.J Holmes, Karl Anderson


The Week Ahead. January 10-16, 2011.

HAPPY NEW YEAR! We are back and situated in our new lovely office at 55 Avenue C.  This week at Movement Research: MELT,  Judson, ongoing classes, and more!

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Video Clips from Movement Research at the Judson Church, 2.1.2010

Video Clips from Movement Research at the Judson Church, February 1, 2010

Featuring works by Launch Movement Experiment, Katie Workum, and Tina Croll and Company.

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The Week Ahead. February 1-7, 2010.

Monday February 1. Movement Research at the Judson Church.
8pm. Judson Memorial Church at 55 Washington Square South.
Featuring works by Launch Movement Experiment, Tina Croll, and Katie Workum.

debra-wanner-by-ian-douglas Read the rest of this entry »

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