Posts Tagged ‘Leonor Maldonado’

Video Clips from Movement Research at the Judson Church 6.10.2013

Featuring works by Colectivo AM (Hanub Ku Mata Caro, Magdalena Leite, Leonor Maldonado, Nuria Fragoso), and Enrico Wey.

We present 4 works-in-progress composed by 4 members of the Colectivo as part of ARRECIFE:
Objectification by Leonor Maldonado
Wall events by Nuria Fragoso
Momento Atlántida by Hunab Ku Mata Caro
Nothing matters when we’re dancing by Magdalena Leite and Anibal Conde
In 2012, Colectivo AM was invited to create a dance piece to premiere at the Museum of Contemporary Art of of the Autonomous University of Mexico in August 2013. Each member will create a new individual piece. This collection of works (10 in total) will constitute the piece ARRECIFE to be premiered at the museum.

Colectivo AM is a Mexico-based group that seeks to promote aesthetic and political reflection on dance creation. http://colectivoam.wordpress.com/

 

this is where we are right now
Structured by Enrico D. Wey
Interpreted by Simon Courchel, John McGrew, Jeremy Pheiffer, Mary Read
This is where we are right now is being developed as part of Lower Manhattan Cultural Council’s Extended Life Dance Development program made possible in part by The Andrew W. Mellon Foundation. www.lmcc.net / www.rivertorivernyc.com

Enrico D. Wey’s work has been on view at Danspace, New Museum, DTW, and St. Ann’s Warehouse Puppet Lab. Wey was a 2012 Movement Research Festival co-curator and has worked with Milka Djordjevich, Trajal Harrell, Tara O’Con, Walter Dundervill, Yvonne Meier, and for Ishmael Houston-Jones in the Bessie award-winning reconstruction of THEM (PS122, Pompidou Center, TanzImAugust, REDCAT). He has been a member of Handspring Puppet Company (South Africa) since 2004, puppeteering in Tall Horse (BAM) and in William Kentridge’s Il Ritorno d’Ulisse (SF MOMA, Theater der Welt, Edinburgh International Festival). After originating the lead role of “Joey” in the Tony Award-winning play, War Horse, he collaborated in …or and animal… at American Realness and with Jon Kinzel at Danspace. He was last seen in Little Lord’s Pocahontas at Bushwick Starr and The OUTS Chanukah Special.

The Week Ahead. June 10-16.

This Week at Movement Research…  Come check out a FREE workshop at First Street Green this Saturday with our very own Diana Crum! Also, come join us for the LAST Judson of the Spring 2013 Season!

Monday June 10. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Colectivo AM (Hunab Ku Mata Caro, Magdalena Leite, Leonor Maldonado, Nuria Fragoso)*; Malin Elgán***; Kajsa Sandstrom; Enrico Wey

*MRX/Mexico Exchange Artists
**2011 Movement Research Artist-in-Residence
***MRX Sweden in collaboration with Konstnärsnämnden/The International Dance Programme, Sweden

Movement Research at First Street Green is back!

Saturday June 15. Workshop with Diana Crum
SAT 12-1pm, First Park

FREE
Using play as a research practice, we will spontaneously move in response to the stimuli in the park. We will practice awareness through improvisation and phrase-making. We’ll also get lost in the complicated way movement teaches us about where we are. It is open to all.

Read about more upcoming FREE Saturday workshops at FSG here!

Upcoming Workshops and Events.

International Dance Dialogues Workshop with Chrysa Parkinson.
Monday-Wednesday June 24-26 10am-3pm
Avenue C Studio, 55 Avenue C (at E 4th St)
$105 Full Workshop, $40 Single Days
REGISTER ONLINE
Performers and Authorship
A performer’s authorship is an ongoing series of events: looping back, rebuilding, erasing, uncovering, disenchanting, replacing, and stumbling into unknown territory. Anything you as a performer represent or produce is temporary, but part of a contained continuity. This continuity is not necessarily progressive, doesn’t necessarily improve or devolve. It has plasticity. It’s a continuity that both accepts and resists form, folds and swells, is flexible and forceful. This workshop aims at adding to the ongoing process of skillful perception by engaging with submerged fictions through physical performance practices. Language will be useful for its ability to distinguish one thing from another. Physical experience will be useful for its ability to humble and destabilize these distinctions. Performance experience will be useful.

Movement Research Town Hall Follow-Up Discussion: Alternative Economies.
Tuesday June 25 6:15-7:45pm
Josie’s Bar, 520 E 6th St (between Avenues A and B)
Moderated by Kathy Westwater
With panelists Tamara Greenfield, Ilona Bito and more
FREE

2012 MR Town Hall Follow-Up Discussion
We’re not done yet! In a follow-up discussion to the 2012 Movement Research Town Hall, we will look deeper into structures and alternatives that have manifested within the recent and current dance economy. Join panelists, who have been involved in splinter conversations that began after the November 5 Town Hall meeting, as they share some of their groups’ discussions. We will peek into the different ongoing conversations to glean further insights and understandings on the topics of value, money, time and dance-making.

Classes this week with…

luciana achugar. Feeling is Believing.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Class will be taught by Levi Gonzalez this Friday June 14
I like to think of dance class as a chance to grow a new body. I am in a process of developing the language that gives me access to a more sensual, animal, connected, bloody, fleshy, fatty, bony, magical, deeper than even the marrow of the bone, vibrational body, and I’d like to share it with you. Using our imagination a lot, using our breath and our voice, using touch, and also sometimes discussing and learning tools for strengthening connections and for letting go of patterns of use of ourselves. Always moving towards pleasure…

Vicky Shick. Morning Class.
Tuesday & Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Class will begin with systematically readying an alert body and mind for full-out and detailed dancing which we will do in the second part of class. The goal is to help each dancer increase self and body awareness, level of articulation, strength, technical facility, and almost most importantly, focus. The warm up is simple and straightforward with an emphasis on alignment, physical mechanics, and also leaving space for sensation and feedback from our bodies as we work collaboratively to arrive at dancing. Through the practice of doing phrase work with a wide range of physicality and co-ordinations, we hone our skills and apply our training. And with repetition and exploration we educate ourselves and deepen the understanding of the intelligence in our bodies.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
Tuesday, 6:15-7:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Janet Panetta. Ballet for Contemporary Dancers.
Monday, Tuesday, Thursday and Friday. 12:00 pm-2:00 pm. $17.
Gibney Dance Center Studio 6, 890 Broadway.

Rachel Bernsen. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Charles Mosey. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

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