Posts Tagged ‘makiko tamura’

Video Clips from Movement Research at the Judson Church, December 12, 2011

Video Clips from Movement Research at the Judson Church, December 12, 2011.

Featuring works by The Movement Party: Zena Bibler & Katie Baer Schetlick, Rebecca Patek*, idiosynCrazy production, Makiko Tamura/small apple co.

*Movement Research 2011 Artist-In-Residence

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The Week Ahead: December 12-18, 2011.

This Week at Movement Research… Movement Research at the Judson Church, Workshop, and classes.

Monday December 12. Movement Research at the Judson Church.
8 PM. 55 Washington Square South.
Featuring work by The Movement Party- Zena Bibler & Katie Schetlick, Makiko Tamura/small apple co. , idiosynCrazy productions, and Rebecca Patek*

Wednesday December 14. NO Open performance.
Open Performance will resume on January 4, 2012 featuring work by Shawna Emerick, Kelly Bond & Melissa Krodman, Rebekah Windmiller, and Katherine Kiefer Stark. Moderated by Pele Bauch.

*Movement Research Artist-in-Residence 2011

Sunday December 18. Workshop with Daria Fain and Robert Kocik.
2-6 PM. Movement Research at Eden’s Expressway.
for non-choir member: $120 for 6 sessions, $25 per drop-in
for choir members : $75 for 6 sessions, $15 per drop-in

PROSODIC BODY Workshop: Choreoprosodia (the fusion of movement and prosody)
These six workshops focus on the sonic properties of language exploring the correspondences between energy centers, hormonal secretion, seed movements, sonic harmony, and emotional and neurological impact. Spending time with each of the different phoneme-harmonic-compositions developed for the Phoneme Choir, we will use a ‘scientific methodology’ to differentiate and name how each affects individuals and inform us of their healing and performative properties.

Classes this Week.
Join us for classes with faculty: Barbara Mahler, Margaret Paek, Irene Dowd, Daria Fain, K.J. Holmes, Jimena Paz, and Jennifer Nugent.

Schedule Change for December: Jimena Paz will be teaching for Judith Sanchéz Ruíz from December 5- December 16, and Jennifer Monson will be subbing class on December 19 and 21.

Upcoming.

Workshop with Daria Faïn & Robert Kocik
Dec 18, Jan 15, Feb 19
SUN 2-6pm
Movement Research at Eden’s Expressway
for non-choir member: $120 for 6 sessions, $25 per drop-in
for choir members : $75 for 6 sessions, $15 per drop-in

PROSODIC BODY Workshop: Choreoprosodia (the fusion of movement and prosody)
These six workshops focus on the sonic properties of language exploring the correspondences between energy centers, hormonal secretion, seed movements, sonic harmony, and emotional and neurological impact. Spending time with each of the different phoneme-harmonic-compositions developed for the Phoneme Choir, we will use a ‘scientific methodology’ to differentiate and name how each affects individuals and inform us of their healing and performative properties.

Winter MELT 2012.

MELT Intensives are a series of daily workshops in technique, somatics, improvisation, composition and other areas offered each summer (5 weeks) and winter (3 weeks). Taught by Movement Research’s internationally recognized faculty as well as acclaimed guest artists, these workshops provide students with the unique opportunity to engage with some of the most highly regarded and innovative artists in the field of dance today.

Juliette Mapp
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
Technique
Using the luxury of five continuous days of dancing together, we will take the time to investigate different states of awareness. Each class will be three-fold, beginning with a guided improvisation to inspire the imagination to expand into the unique life of different parts of the body, followed by dancing within technical forms to support our range and work as dancers, and concluding with a phrase that integrates concepts of weight, lightness, initiation and intention. The technical forms and phrase will be specifically structured to build our knowledge of individual physical patterns that may be blocking us from deepening the use of ourselves as artists. In the process of learning a phrase, we can observe how we retain “set” material. The merging of the unconscious life of movement through improvisation and conscious attention to the physical imagination is part of the energizing practice we will explore in each class.

Irene Dowd
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
Horizons
Learn a warm-up choreography designed to enhance visual focus, hand-eye coordination, articulation of hands and feet, freedom of the spine, and the dancer’s own phrasing. In addition this sequence can be used as a physical and mental preparation for performance.

Trajal Harrell
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
There Are No Stepbrothers in Dance
I think the statement “there are no stepbrothers in dance” is a paraphrase of something Balanchine said. His point was that one could only say so much in a dance, and yet what a dance can convey is particular and specific to the medium. In this workshop, we will look at the limitations and strengths of the medium in order to become more exact in our choreographic choices and in order to elicit more clarity from the contexts of meaning we create. Bring 3-10 minutes of a complete choreographic work to be presented live either with you as a solo performer or invite your performers. We will also work on developing some specific tools through compositional exercises. Be prepared to also read, talk, debate, listen, and imagine aloud.

Chris Aiken
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
An Eco-poetic Approach to Dance Improvisation and Performance
In this movement workshop we will explore awareness and intention through the development of perceptual acuity in relationship to our inner and outer landscapes. We will examine the delicate relationships between our poetic imagination and our sensory systems. The basis of my approach is that composition and performance are ecologically rooted acts. Our imagination grows from where and how we exist. Movement, story, image and gesture are imbedded in the relationships that are evolving all around us. Come ready to dance, perceive, perform and imagine.

Keith Hennessy
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
Improvisation as Potential Shamanism
Five days of contemplative embodiment, intensive breathwork, fake healing, endurance shaking, post-contact, disco and séance, all in the attempt to invigorate improvisation practice for dancers, choreographers, and performance makers. Shamanism, in a general usage, refers to the ritual/spiritual practices of working with forces and energies, unseen and poetic, of transforming space and time to shift meaning and perspective, of communicating with the dead or not-human. Contemporary improvisation and performance practices often engages the same intentions. Let’s dance in the borderlands of anti-systemic knowledge, magic, real and fiction, contagion and exchange, and various states of presence. Dance class is a ritual, potentially.

DD Dorvillier
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
Touch Move Talk Write: open studio practices
This workshop focuses on generating new practices through touching, moving, talking, and writing. We will shape each practice with simple rules and apply different sequences and durations, giving equal time to all four aspects. By pushing the notion of practice to extremes, one begins to understand assumptions about style, body, self, technique, unspoken rules, expertise, etc. etc… The aim is to proliferate unexpected results, to try many things quickly, and to foment revolution. Please don’t come without a notebook and a pen.

Yvonne Meier
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
Improvisational “Scores”
In this workshop we will investigate my improvisational technique which I call “Scores.” “Scores” are essentially words, containing images, that we will learn to possess our bodies from head to toe. “Scores” can be physical, emotional, psychological or spiritual. Some “Scores” will possess different body parts. Some “Scores,” which I call “no-no scores,” explore socially-unaccepted content. We will allow these “no-no scores” to travel through the subconscious revealing to us our true opinions about them. We will utilize Releasing Technique in the warm ups revealing to us the capability to fill our “empty” bodies with images. Authentic movement, as a warm up, will guide us through powerful qualities.

Shelley Senter
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
technique |tekˈnēk|
noun a way of carrying out a particular task, esp. the execution or performance of an artistic work or a scientific procedure. • skill or ability in a particular field : he has excellent technique | [in sing. ] • a skillful or efficient way of doing or achieving something This class will approach “technique” by redefining notions of strength and virtuosity, valuing subtlety and utilizing mindfulness and self-observation as physical practices. We’ll awaken the brain and the body, learn by expansion rather than concentration, rigorously attend to the present and learn precise, task-oriented, simple and complex movement phrases.

Miguel Gutierrez
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
INEFFABLE INTANGIBLE SENSATIONAL
This workshop looks at some of the ways in which Miguel Gutierrez approaches a practice of movement and improvisation in his work. Working from the proposition that dance is a mode of perceptual inquiry, and working against the idea of dance as a non-verbal “language,” students will be led through a series of movement explorations that prioritize sensation, non-rational action, and that trigger automatic, unprepared physical response. Some of the questions that guide this workshop are: What does movement “do” and how does it operate as a framework for complicated, nuanced, embodied meaning?

Tuition
Registering for full weeks saves you significant amounts of money:

$825 for 3 full weeks (9 workshops, a savings of $255)
$600 for 2 full weeks (6 workshops, a savings of $120)
$310 for 1 full week (3 workshops, a savings of $50)

Individual workshops cost $115-$130.

Payment in full reserves your spot in any workshop or package enrollment. For packages, you may also make a deposit to reserve your spot. Balance of tuition is due no later than December 12, 2011.

Housing
Movement Research does not provide housing. Recommended housing options include: the Movement Research Facebook page housing discussion, www.studenthousing.org, www.craigslist.org, www.nyhabitat.com, or www.stephaniediamond.com/listings. We encourage students and those with housing available to become our friends on Facebook and post on our housing discussion board.

refund policy: Refunds will be available for individual workshops until 1 week before start of workshop minus a $50 processing fee per workshop. For week-based package enrollment, refunds will be available until 1 week before start of full enrollment, minus a $75 processing fee. Refunds cannot be given if notice is not received as stated. Credit towards future classes and workshops may be extended in the event of illness or injury. All refund and credit requests must be made in writing. Email info@movementresearch.org with any such requests.

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