Posts Tagged ‘Marissa Perel’

Video Clips from Movement Research at the Judson Church 11.12.2012

Featuring works by Gina Graham, Marissa Perel, Tina Croll and Liana Conyers.

Videotape
This evening’s premiere of Videotape will be performed by Janelle Barry and choreographer Gina Graham, who invite you, the viewer, to become the photographer and videographer. Please get up close to the dancers, walk around and take pictures or short video clips (one minute maximum) of the dance-in-the-making. The media you capture will eventually become a larger part of future reiterations of Videotape and your name will be credited with your images. Graham will pick her favorite video or photo, retweet it, and feature the artist’s work across other social channels. It will also become part of the promotional material to represent the work going forward. Please upload your footage to Twitter using hashtag #essedance, or upload to the esseaficionado Facebook page. While you’re there, kindly follow Graham on Twitter @esse_gina, “like” her on Facebook or go to www.esseaficionado.org to learn more about her company.

To learn more about Gina Graham and her company please visit www.esseaficionado.org.

Yentl, Lesson 5

Written and performed by Marissa Perel
Papa Can You Hear Me, written by Alan and Marilyn Bergman, composed by Michel Legrand

Marissa Perel is an artist and writer based in Brooklyn. She is interested in the body’s relationship to desire and power within and against socio-political constructs. Her work explores these dynamics through performance, video, installation and text. She is the columnist on performance for the Art21 blog, and co-editor of Critical Correspondence. Perel was co-curator of the Movement Research Festival Spring 2012. She has performed previous Yentl “Lessons” at Ontological Theater, Secret Works Loft, for the exhibition, The Great Refusal: Taking on New Queer Aesthetics, Sullivan Galleries, Chicago, and for the video series One-Shot. For more visit www.marissaperel.com.

Walkabout
Choreography: Tina Croll
Music: John Cage
Dancers: Michelle Durante, Dale Harris

She Rides a Tiger
Choreography: Tina Croll
Music: Arvo Part
Dancers: Victoria Dombroski, Michelle Durante, Michelle Gilligan, Erin Pellecchia, Julia Sabangan, Emily Wong

Tina Croll, founding member of Dance Theater Workshop, studied with Merce Cunningham, Erick Hawkins, Nina Fonoroff; performed in the companies of Jeff Duncan, Jack Moore, Jamie Cunningham, Judith Dunn; established Tina Croll + Company. After a quest that took her to India and Europe, Croll returned to NYC in 1993, performing her work at The Duke on 42, Danspace, DTW, P.S. 122, The Kitchen. Evening-length works produced by Danspace Project include Ancient Springs with a cast of 20 and Balkan Dreams, a collaboration with Zlatne Uste Balkan Brass Band with 38 dancers and musicians. Formed an improvisation group, “the Gang of Four,” with Wendy Perron, Douglas Dunn, and Kenneth King. Ms. Croll and Jamie Cunningham continue their production, From the Horse’s Mouth, performed for the past 14 years in major cities around the United States and Canada. www.tinacroll.org

Body Politics: This is my body
Choreographer/Performer: Liana Conyers
Sound Designer: Liana Conyers
Music: Paper Moon Booka Shade, and Y’all Get Back Now Big Freedia
Text: Liana Conyers

Liana Conyers, B.A. Bennington College, M.F.A U of O. Liana has performed with Keith Thompson, Jhon Stronks, Wayne Smith, and CORE Performance Company. Liana has choreographed for Spelman College Dance Theatre, and has taught movement classes for Several Dancers Core, Ballethnic, DNA, and interned with the Cunningham Foundation, and Joyce Theatre. Liana was a guest instructor at the ACDFA NW Conference, where her choreography was presented. She is a regular performer and guest instructor at the Big Range Festival in TX. Her scholarly research includes investigating autobiography and identity in dance for black female choreographers. This on-going research has been presented at the U of O Annual Graduate Research Forum 2010-2012, the Juxtapose Philadelphia series 2012, and the 2013 IABD conference.

The Week Ahead. November 12-18.

This Week at Movement Research… Come check out Moriah Evans and The Bureau for the Future of Choreography for a very exciting residency at the New Museum!

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio, 47 West 28th St.
$20 per class, or $70 for the 4-Class Series
Click here to Register Online

June Ekman’s Monday Morning Class
The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on,” as well as exploration of standing and walking.

Monday November 12. Workshop with Stina Nyberg (MRX/Sweden Resident Artist)*.
1:30-2:30pm. Movement Research at Eden’s Expressway, 537 Broadway.
FREE

With Emotional Anatomy, you create a new anatomic system based on the features of your emotions. Is your love swaying like jelly in the belly, or is it a sticky point in your mouth? Is the envy pulsating somewhere in between your disappointment and optimism? Come and materialize your emotions in a free class at Eden’s Expressway on Monday, November 12, 3:30-4:30pm. Emotional Anatomy was developed in Sweden through methods of imaginative and experiential techniques and is for the first time presented in the US. The practice ignores scientific and anatomic facts in favor of speculation, and functions as a system for the materialisation of emotions through the drawing of a new anatomic map.

*MRX is a vehicle to spur interaction and exchange among independent choreographers and their peers from within and outside the US. MRX enables Artists-in-Residence and faculty to travel outside their home environment for residency activities, informal showings, discussions and teaching opportunities.

Monday November 12. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Liana Conyers, Tina Croll, Gina Graham, and Marissa Perel.

Wednesday November 14. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Allison Hurd, NilsSprung Dance Project, Benn Rasmussen, and Christiana Axelson.
Moderated by Courtney Krantz*

Wednesday November 14-Thursday November 15.
Moriah Evans and The Bureau for the Future of Choreography in Residence at the New Museum.
Visiting Hours Open to the Public:
Wednesday November 14 11am-6pm
Thursday November 15 11am-3pm (Discussion at 1pm)
New Museum, 235 Bowery.
FREE with New Museum Admission.

Moriah Evans and The Bureau for the Future of Choreography will address the proposal: What does it mean to work collectively (cross disciplines or not)? Has the individual become the forefront of present day work? Is the idea of the individual author a myth? Is the idea of working collectively a myth?

PARTICIPATING ARTISTS: Alan Calpe, Maggie Cloud, Evelyn Donnelly, Moriah Evans, Kyli Kleven, Stephen May, Stina Nyberg, Sarah Beth Percival, Will Rawls, and Ondrej Vidlar.

Part of New Museum’s RE:NEW RE:PLAY residency series
Co-presented with Movement Research

The RE:NEW RE:PLAY residency series is curated by Travis Chamberlain, Public Programs Coordinator at the New Museum.

*2012 Movement Research Artist-in-Residence

Upcoming Events.

New Museum Residences.
FREE with New Museum Admission. 235 Bowery.
Open Rehearsals, Discussions and Workshops with…

luciana achugar and Ximena Garnica.
RSVP to: info@movementresearch.org
Open Rehearsals:
Wednesday November 21 11am-6pm
Wednesday November 28 11am-6pm
Thursday November 29 12pm-9pm
Wednesday December 5 11am-3pm
Workshop and Discussion:
Sunday Decemeber 2
Workshop: 11:30am-2:30pm
Discussion: 3:30-4:30pm

AND

Maggie Bennett and Walter Dundervill.
Open Rehearsals:

Wednesday December 5 3pm-6pm
Wednesday November 12 11am-6pm
Thursday November 13 12pm-4pm (Discussion at 1pm)

Sunday December 16. Final Presentations for Rethinking the Imprint of Judson Dance Theater Fifty Years Later.
3pm. New Museum, 235 Bowery.
$10 New Museum Members; $12 General Public

On September 16, Movement Research (MR) solicited questions from the greater MR community with regards to the imprint that Judson Dance Theater (1962–64) continues to make on contemporary performance. Four questions were selected by attendees as focus topics for further investigation by artists nominated to lead a series of week-long performance laboratories and open rehearsals at the New Museum. On this program, those artists share the results of their investigations for further consideration in an evening filled with performance, experimentation, and lively debate.

Classes This Week With…

Levi Gonzalez. Morning Class.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Using the morning technique class structure as a model, this class will focus on dance as a physical, conceptual and experiential practice, with an emphasis on the cultivation of presence inside of the forms. Class will begin with imagery and gentle preparation culled from various bodywork modalities that access our awareness of the organs, the skeleton, gravity and energetic pathways through the architecture of the body and into the space. Class will expand into technical exercises, choreographic structures, improvisations and performance constructs, exploring ways to engage with the material through precise and imaginative means.

Jennifer Nugent. Morning Class.
Tuesday and Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Using improvisational and set warm-ups we will focus on the volume and weight inside the body and its relationship to the floor. Exercises that bring awareness to the feet, spine, and pelvic floor encourage the feeling of release in the limbs, allowing us to fall and suspend off-center, simultaneously finding a grounded flexible base of support. Using these physical tools we will explore sensation, instinct, and the inherent musicality inside the body, phrasing. All the while dancing we will work toward a more grounded and direct approach to movement.

As well as our Ongoing Classes… (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday. 10:00 am-12:00 pm. $14.
AND
Tuesday, 6:15pm-7:45pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Irene Dowd.
Tuesday. 3:00 pm-4:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Rebecca Brooks. Alexander Technique.
Wednesday. 12:30 pm-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Karl Anderson. Skinner Releasing Technique (Ongoing Level).
Saturday. 10:00 am-1:00 pm. $14.
Randy Warshaw Studio, 115 Wooster St., #2F.

Shakti Smith. Contact Improvisation.
Sunday. 2:30 pm-4:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.


The Week Ahead. November 4-11.

This Week at Movement Research…

Sunday November 4. Judson @ 50: MR in Residence at the New Museum.
“Talking about my generation”:
Jill Johnston and the Critic as Subject

3pm. New Museum, 235 Bowery.

POSTPONED! We will do our best to reschedule as soon as possible.

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio, 47 West 28th St.
$20 per class, or $70 for the 4-Class Series
Click here to Register Online

June Ekman’s Monday Morning Class
The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on,” as well as exploration of standing and walking.

Tuesday November 6. Judson @ 50: Judson Through the Eyes of Filmmakers.
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members
JDT was not exclusively a dance movement. Artists of various disciplines participated in the movement that came to be known as JDT, including filmmakers. This screening highlights some of the many collaborations between Judson artists and film artists who were pushing at the boundaries of both forms.
Films will include:
Jonas Mekas CUP/SAUCER/TWO DANCERS/RADIO (1965/83, 23 min, 16mm)
With Kenneth King & Phoebe Neville.
Simone Forti CLOTHS (fragment) (1967, 5 min, 16mm-to-video)
Camera: Hollis Frampton.
Simone Forti & Anne Tardos STATUES(1977/99, 14 min, video)
Babette Mangolte WATER MOTOR (1978, 7 min, 16mm, b&w

Tuesday November 6. Judson @ 50: George Manupelli’s CRY DR. CHICAGO
9pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members
Cry Dr. Chicago. 1971, 90 minutes, 16mm. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation. Lab work by Cineric, Inc., and Trackwise.
In Manupelli’s wonderfully cracked feature, which had fallen almost entirely into oblivion when Anthology was able to revive and preserve it in 2008, Dr. Chicago (played by venerable composer Alvin Lucier) is a sex-change surgeon on the run from the law, forever on his way to Sweden and always out to make a buck. Along for the ride are his faithful companions Sheila Marie (the delightfully zonked-out Mary Ashley) and Steve (brilliantly, and silently, portrayed by the great dancer Steve Paxton, a founding member of Judson Dance Theater). By far one of the most enjoyable feature films to come out of the 1960s underground era.

Wednesday November 7. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Emily Alpren, Brendan Drake. white road Dance Media, and Hadar Ahuvia.
Moderated by Cristiane Bouger *
*2012 Movement Research Artist-in-Residence

Wednesday November 7. Mårten Spångberg, and the Judson Imprint in Europe: Performance and Discussion.
7-10pm. New Museum, 235 Bowery.
ALL TICKETS Now $12 (New Museum Member Price)

Co-presented with Goethe-Institut New York with support from the Barbro Osher Pro Suecia Foundation
7pm Performance by Mårten Spångberg
In Powered by Emotion MÃ¥rten SpÃ¥ngberg reconstructs the Goldberg Variations, the fantastic dance improvisations by the American dance legend Steve Paxton, and several songs from the Buena Vista Social Club.Paxton himself said, SpÃ¥ngberg’s piece actually stands alone, more than being a reconstruction of anything particular. Can one reconstruct an improvisation? This question is not so interesting as the result of SpÃ¥ngberg’s ‘translation process’ itself.
Discussion to follow immediately after the performance: In the second part of the evening, moderated by Claude Wampler, Spångberg will be joined by artists including DD Dorvillier, and will address the following question: How does the imprint of Judson Dance Theater function within the contexts of European and American performance respectively?

Thursday-Friday November 8-9. Chez Bushwick Presents Movement Research Artists-in-Residence at CPR.
8pm. Center for Performance Research, 361 Manhattan Avenue.

$12 tickets available in advance online; $15 tickets (cash only) at the door
CLICK HERE TO BUY TICKETS
November 8:
Anna Azrieli, Laurie Berg and Walter Dundervill
November 9:
Maximilian Balduzzi, Rebecca Davis, Ben Spatz and Miriam Wolf

Sunday November 11. Workshop with Simone Forti.
1-5pm. Douglas Dunn Studio.
$50 Click Here to Register Online
Body Mind World, Movement & Language Improvisation
Sometimes our words don’t have access to what we know in our bones, while our dancing doesn’t have access to what’s on our minds. In this workshop we will explore the synergy between movement and language to engage with subject matter that interests us. The class will include warm-ups to awaken our kinetic juices, and focused stream of consciousness writing to put us in touch with our wild thoughts and observations. We will divide our class time between purely improvising with movement, talking together about whatever has been on our minds, and improvising combining moving and speaking.

Classes this week with: Levi Gonzalez, Janet Panetta, Barbara Mahler, Jennifer Nugent, Irene Dowd, Rebecca Brooks, Karl Anderson, Jen Rosenblit, Shakti Smith, Rebecca Bone, Jesse Johnson, Mark Messer, Brandin Steffensen.

Upcoming

Tuesday-Wednesday November 20-21 . Workshop with Deborah Hay.
10am-1pm. Avenue C Studio.
$75 SOLD OUT! Email info@movementresearch.org with your name, phone number, and email address to join the waitlist.
What if our attention is not on what we do onstage but how we can be continuously enlarging our experience of dance as we dance?

The Week Ahead. October 22-28.

This Week at Movement Research… We’re excited to kick off the Fall 2012-Winter 2013 season of Movement Research at the Judson Church this Monday!

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Aaron Mattocks, and Gabriel Forestieri.

Wednesday October 24. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Eliza Ladd, Drew Madland, Cornerspoon, and Rosalie Elkinton.
Moderated by RoseAnne Spradlin *

Workshop with Mårten Spångberg:
Choreography As Expanded Practice/Dance As Autonomous Medium
A series of softly, or non-causally connected seminars

Thursday October 25, 4-6pm.
Sunday October 28, 12-2pm.
Sunday November 4, 12-2pm.
MoMA PS1, Corner Gallery, Second Floor
FREE with RSVP: alex_sloane@moma.org

This seminar addresses, through open research and experimentation, the shifting contexts of choreography and dance in contemporary society. It considers dance and choreography as work engaged in specific modes of production and not primarily as expression or representation. The workshop drafts notions of choreography as expanded practice next to probing the grounds for the possibility of dance to again identify itself as an autonomous medium. The different sessions embark on excessive detours into economy, policy and politics, detecting the position of dance and choreography within the context of neo-liberalism and a society where subjectivity and time has been corporatized. It is, at the same time, an attempt to open a ground for dance and choreography in respect to composition, improvisation, expression, organization, interpretation and affect. The different seminars can be attended as a connected series to be finalized with a presentation at MoMA PS1 on November 4, 2012 but can also be attended as separate events. Participants need no dance background but should bring something nice to dance in, and a blanket is always good.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

*2012 Movement Research Artist-in-Residence

Classes this week with: DD Dorvillier, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit and Bradley Teal Ellis

Upcoming.

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

Sunday November 4. Judson @ 50:
MR in Residence at the New Museum.
“Talking about my generation”:
Jill Johnston and the Critic as Subject

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public
Critical Correspondence is an online publication of Movement Research. For this program, Critical Correspondence coeditors Aaron Mattocks and Marissa Perel honor the celebrated writer and critic Jill Johnston, whose experimental and personal voice communicated the culture of the interdisciplinary 1960s art scene. In light of Johnston’s innovative contributions to the form, this conversation considers contemporary criticism and the writer as subject. Speakers include frontrunners of print journalism and the blogosphere alike. Performative readings of reviews on dance and performance are included.

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio.
$20 per class
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops
June Ekman’s Monday Morning Class

The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on”, as well as exploration of standing and walking.

The Week Ahead. May 29 – Jun 3, 2012.

This Week at Movement Research… No class on Memorial Day. The office will be closed to the public on Monday as well. but then….

Movement Research Festival
Spring 2012

mr-spring-fest-2012-rotator1

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May 29 – June 3, 2012
Curated by Eleanor Hullihan, Neal Medlyn, Marissa Perel, Enrico Wey

Location.
The Center at West Park (except where otherwise noted)
165 W. 86th St. (West Park Presbyterian Church, corner of Amsterdam Ave.)
1 train to 86th
B, C trains to 86th
Tickets.
$5, except where otherwise noted or
$8 DAY PASS available for Wednesday, Thursday, and Friday gets you into all the day’s events, excluding workshops.

Tuesday May 29th.

Notebook Exhibition and Opening Reception
6:00 pm FREE

A diverse collection of notebooks, pages, epistles from the processes and reflections of choreographers, dancers and performers across a spectrum of approaches and forms. Join us for drinks and a viewing of the installation.

Performance Event
8:00PM $5
Featuring Miguel Gutierrez, Katy Pyle, and Bridget Everett & the Tender Moments

Wednesday May 30th.

Body Language Reading and Performance
7:00pm $5
Featuring Andrew Blackley, C.A. Conrad, H.R. Hegnauer, Yvonne Meier, Eileen Myles, Kristen Prevallet. Hosted by Jamie Townsend

Performance Event: stillness-action-sweat-effort
10:00pm $5
Featuring Aretha Aoki, devynn emory, Niall Jones, Jennifer Monson

Thursday May 31st.

Real. Good. Music. A concert. In the sanctuary.
7:00pm $5
Featuring Chris Forsyth, Tatsuya Nakatani, Mike Pride & Mick Barr, Jesske Hume & Ryan Ferreira

Mixed Tape
Curated by Niv Acosta
10:00PM $5
Six performers hijack, change, distort or magnify a performance with “that ubiquitous deus ex machina, the ironically intended pop song.” (BS)
Friday June 1st.

Let’s Talk About Sex
6:00pm $5
Moderated by Jillian Peña, Dean of the School of Sex Research at Movement Research and Erin Markey, Diana Cage, Aimee Herman, John Jasperse, Ishmael Houston-Jones, Antonio Ramos, Lucy Sexton

Performance Event
8:00pm $5
Featuring Anna Azrieli, Neal Beasley, Justin Cabrillos, Carmine Covelli, Jesske Hume

Saturday June 2nd.

Central Park Sensory Walk
Led by Jennifer Monson
11am-1pm FREE
Meet at the entrance on W. 81 St. & Central Park West

Child Support!
Hosted by Anna Sperber
Central Park, 2PM – 4PM.
Meet at the entrance on W. 81 St. & Central Park West
FREE
A kid friendly hang-out pot-luck picnic. An opportunity for play between parents and non-parents alike! Bring snacks, games, blankets as well as questions and experiences of parenting in New York City. A space for dialogue and sharing resources.
WHAT IS CONTEMPORARY DANCE & WHERE IS IT GOING?
Hosted by The BUREAU FOR THE FUTURE OF CHOREOGRAPHY

3PM- 6PM FREE
Participate! Taking inspiration from the first director of MoMA, Alfred Barr’s infamous Flowchart of Modernism and various responses to his gesture, what might a flowchart for the past fifty years of experimental dance look like?

Performance Event: Tarek Halaby, Dynasty Handbag, and Adrienne Truscott
8:00PM $5

Sunday June 3rd.

Ridin Dirty Wrap Up Party
Meet at the Grand Army Plaza entrance to Prospect Park, 12PM.
FREE
Grab your gears, join the MR Rough Riders Rebecca Wender, Barbara Bryan, and Ian Douglas, and pedal down to Jacob Riis beach for the PUSH IT Wrap Up Party. Transportation and location information will be available on the website for non-riders. BYO helmet, for real, and Bon Voyage.
For a more detailed Schedule please visit PUSH IT. REAL. GOOD.

Also this week…

Wednesday May 30. Open Performance.
8PM. A.R.T./New York South Oxford Space.
Featuring works by Jordan Gehley, Rachel Wynne / expan dance, Jamie Chandler, Rachel I. Berman
Moderated by Mariana Valencia

Classes this Week with: Miguel Gutierrez, Emily Faulkner, Nia Love, Barbara Mahler, Karl Anderson, Jen Abrams
Upcoming:
MELT Summer 2012
July 9 – August 10
MON – FRI 10am – 6pm Daily
Melt Faculty includes: Irene Dowd, Levi Gonzalez, Neil Greenberg, Lance Gries, K.J. Holmes, Ishmael Houston-Jones, Jen Joy, Eva Karczag, Pooh Kaye, Jennifer Lacey, Joe Levasseur, Barbara Mahler, Tere O’Connor, Jimena Paz, Lisa Race, Vicky Shick, RoseAnneSpradlin, David Thomson.
Register HERE!

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