Posts Tagged ‘Movement Research at Judson Church’

The Week Ahead. October 22-28.

This Week at Movement Research… We’re excited to kick off the Fall 2012-Winter 2013 season of Movement Research at the Judson Church this Monday!

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Aaron Mattocks, and Gabriel Forestieri.

Wednesday October 24. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Eliza Ladd, Drew Madland, Cornerspoon, and Rosalie Elkinton.
Moderated by RoseAnne Spradlin *

Workshop with Mårten Spångberg:
Choreography As Expanded Practice/Dance As Autonomous Medium
A series of softly, or non-causally connected seminars

Thursday October 25, 4-6pm.
Sunday October 28, 12-2pm.
Sunday November 4, 12-2pm.
MoMA PS1, Corner Gallery, Second Floor
FREE with RSVP: alex_sloane@moma.org

This seminar addresses, through open research and experimentation, the shifting contexts of choreography and dance in contemporary society. It considers dance and choreography as work engaged in specific modes of production and not primarily as expression or representation. The workshop drafts notions of choreography as expanded practice next to probing the grounds for the possibility of dance to again identify itself as an autonomous medium. The different sessions embark on excessive detours into economy, policy and politics, detecting the position of dance and choreography within the context of neo-liberalism and a society where subjectivity and time has been corporatized. It is, at the same time, an attempt to open a ground for dance and choreography in respect to composition, improvisation, expression, organization, interpretation and affect. The different seminars can be attended as a connected series to be finalized with a presentation at MoMA PS1 on November 4, 2012 but can also be attended as separate events. Participants need no dance background but should bring something nice to dance in, and a blanket is always good.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

*2012 Movement Research Artist-in-Residence

Classes this week with: DD Dorvillier, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit and Bradley Teal Ellis

Upcoming.

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

Sunday November 4. Judson @ 50:
MR in Residence at the New Museum.
“Talking about my generation”:
Jill Johnston and the Critic as Subject

3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public
Critical Correspondence is an online publication of Movement Research. For this program, Critical Correspondence coeditors Aaron Mattocks and Marissa Perel honor the celebrated writer and critic Jill Johnston, whose experimental and personal voice communicated the culture of the interdisciplinary 1960s art scene. In light of Johnston’s innovative contributions to the form, this conversation considers contemporary criticism and the writer as subject. Speakers include frontrunners of print journalism and the blogosphere alike. Performative readings of reviews on dance and performance are included.

Mondays, November 5-26. Workshops with June Ekman.
10am-12pm. June Ekman Studio.
$20 per class
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops
June Ekman’s Monday Morning Class

The workshop will be based on the Alexander Technique. There will be floor work with rubber balls, some “hands on”, as well as exploration of standing and walking.

The Week Ahead. October 15-21.

This Week at Movement Research… Join us for Open Performance and another special Judson @ 50 event in partnership with Anthology Film Archives – JUDSON: SECOND GENERATION AND BEYOND!

Tuesday October 16. Judson @ 50:
MR in Partnership with Anthology Film Archives

JUDSON: SECOND GENERATION AND BEYOND
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members

Judson had an impact much larger than its three year existence would suggest. Many artists were deeply influenced by the ground broken by JDT, either directly or indirectly. This screening looks at work that bears the imprint of Judson but moves beyond the boundaries of that seminal period:

Richard Rutkowski
THE SPACE IN BACK OF YOU
2011, 65 min, digital video.
This highly visual and visceral documentary investigates the creative life of Suzushi Hanayagi, a powerful, innovative, even radical Japanese dancer and choreographer. For over 20 years she was a close collaborator with and major influence on theater legend Robert Wilson, who referred to her simply as “my teacher”. When Wilson discovers Hanayagi living in an old-age home and suffering from Alzheimer’s, Wilson resolves to work with her once again. Poignant witness to the transition of a life from vibrancy to legacy, this film becomes the final collaboration between a great teacher and her most renowned student.

CHANNEL Z (live performance excerpt, P.S. 122, 1986)
1986, 20 min, video
Channel Z (1982-1990) was a collaborative improvisation group that initially formed out of a series of dance sessions organized by Robin Feld for people who were teaching Contact Improvisation in New York City. Featuring: Paul Langland, Daniel Lepkoff, Diane Madden, Nina Martin, Randy Warshaw.

Steve Paxton
FALL AFTER NEWTON
1987, 23 min, video.
A sweeping look at 11 years of practice of Contact Improvisation by Nancy Stark Smith and Steve Paxton. The progression from its beginnings in 1972 through successive years of performances up to 1983 shows one strand of the development of this multifaceted duet dance form.

Wednesday October 17. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Molly Poerstel-Taylor, Andary Dance, and Lia Bonfilio.
Moderated by Strauss Bourque-Lafrance. **

Classes this Week with: Asli Bulbul, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit, and Bradley Teal Ellis.

** 2011 Movement Research Artist-in-Residence

Upcoming.

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Gina Graham, Aaron Mattocks, and Gabriel Forestieri.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron
3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

The Week Ahead: December 26, 2011- January 1, 2012.

This Week at Movement Research… the Movement Research Office will be closed and classes will not be held through January 1, 2012. Enjoy your holiday celebrations!

Movement Research at the Judson Church
The January/February 2012 schedule for Movement Research at the Judson Church will be posted in a matter of days. We will be starting towards the end of the month… stay tuned for details.

Open Performance and other Movement Research Programs will also be suspended during the Holidays. Open Performance will resume on January 4, 2012. Please check the website for more details.

Classes this Week.
Select classes will resume on January 2, 2012, due to the Winter MELT intensive. Check back next week for changes in the usual class schedule.

Upcoming.


Workshop with Daria Faïn & Robert Kocik
Remaining Dates: Jan 15, Feb 19
SUN 2-6pm
Movement Research at Eden’s Expressway
for non-choir member: $25 per drop-in
for choir members : $15 per drop-in

PROSODIC BODY Workshop: Choreoprosodia (the fusion of movement and prosody)
These six workshops focus on the sonic properties of language exploring the correspondences between energy centers, hormonal secretion, seed movements, sonic harmony, and emotional and neurological impact. Spending time with each of the different phoneme-harmonic-compositions developed for the Phoneme Choir, we will use a ‘scientific methodology’ to differentiate and name how each affects individuals and inform us of their healing and performative properties.

Winter MELT 2012.

MELT Intensives are a series of daily workshops in technique, somatics, improvisation, composition and other areas offered each summer (5 weeks) and winter (3 weeks). Taught by Movement Research’s internationally recognized faculty as well as acclaimed guest artists, these workshops provide students with the unique opportunity to engage with some of the most highly regarded and innovative artists in the field of dance today.

WEEK 1, Jan 2-6

Juliette MappSOLD OUT.  E-mail info@movementresearch.org to be put on the waitslist.
Mon-Fri January 2-6
10am-12pm
Movement Research at Eden’s Expressway

Irene Dowd
Mon-Fri January 2-6
1-3pm $115
Movement Research at Eden’s Expressway
Horizons
Learn a warm-up choreography designed to enhance visual focus, hand-eye coordination, articulation of hands and feet, freedom of the spine, and the dancer’s own phrasing. In addition this sequence can be used as a physical and mental preparation for performance.

Trajal Harrell
Mon-Fri January 2-6
3:30-6pm $130
Movement Research at Eden’s Expressway
There Are No Stepbrothers in Dance
I think the statement “there are no stepbrothers in dance” is a paraphrase of something Balanchine said. His point was that one could only say so much in a dance, and yet what a dance can convey is particular and specific to the medium. In this workshop, we will look at the limitations and strengths of the medium in order to become more exact in our choreographic choices and in order to elicit more clarity from the contexts of meaning we create. Bring 3-10 minutes of a complete choreographic work to be presented live either with you as a solo performer or invite your performers. We will also work on developing some specific tools through compositional exercises. Be prepared to also read, talk, debate, listen, and imagine aloud.

WEEK 2, Jan 9-13

Chris Aiken
Mon-Fri January  9 – 13
10am-12pm $115
Movement Research at Eden’s Expressway
An Eco-poetic Approach to Dance Improvisation and Performance
In this movement workshop we will explore awareness and intention through the development of perceptual acuity in relationship to our inner and outer landscapes. We will examine the delicate relationships between our poetic imagination and our sensory systems. The basis of my approach is that composition and performance are ecologically rooted acts. Our imagination grows from where and how we exist. Movement, story, image and gesture are imbedded in the relationships that are evolving all around us. Come ready to dance, perceive, perform and imagine.

Keith Hennessy– SOLD OUT.  E-mail info@movementresearch.org to be put on the waitslist.
Mon-Fri January  9 – 13
1-3pm
Movement Research at Eden’s Expressway

DD Dorvillier
Mon-Fri January  9 – 13
3:30-6pm $130
Movement Research at Eden’s Expressway
Touch Move Talk Write: open studio practices
This workshop focuses on generating new practices through touching, moving, talking, and writing. We will shape each practice with simple rules and apply different sequences and durations, giving equal time to all four aspects. By pushing the notion of practice to extremes, one begins to understand assumptions about style, body, self, technique, unspoken rules, expertise, etc. etc… The aim is to proliferate unexpected results, to try many things quickly, and to foment revolution. Please don’t come without a notebook and a pen.

WEEK 3, Jan 16-20

Yvonne Meier. SOLD OUT. E-mail info@movementresearch.org to be put on the waitslist.
Mon-Fri Jan 16-20
10am-12pm $115
Movement Research at Eden’s Expressway

Shelley Senter
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
1-3pm $115
Movement Research at Eden’s Expressway
technique |tekˈnēk|
noun a way of carrying out a particular task, esp. the execution or performance of an artistic work or a scientific procedure. • skill or ability in a particular field : he has excellent technique | [in sing. ] • a skillful or efficient way of doing or achieving something This class will approach “technique” by redefining notions of strength and virtuosity, valuing subtlety and utilizing mindfulness and self-observation as physical practices. We’ll awaken the brain and the body, learn by expansion rather than concentration, rigorously attend to the present and learn precise, task-oriented, simple and complex movement phrases.

Miguel Gutierrez. SOLD OUT. E-mail info@movementresearch.org to be put on the waitslist.
Mon-Fri Jan 16-20
3:30-6pm $130
Movement Research at Eden’s Expressway

Tuition
Registering for full weeks saves you significant amounts of money:

$825 for 3 full weeks (9 workshops, a savings of $255)
$600 for 2 full weeks (6 workshops, a savings of $120)
$310 for 1 full week (3 workshops, a savings of $50)

Individual workshops cost $115-$130.

Payment in full reserves your spot in any workshop or package enrollment. For packages, you may also make a deposit to reserve your spot. Balance of tuition is due no later than December 12, 2011.

Housing

Movement Research does not provide housing. Recommended housing options include: the Movement Research Facebook page housing discussion, www.studenthousing.org, www.craigslist.org, www.nyhabitat.com, or www.stephaniediamond.com/listings. We encourage students and those with housing available to become our friends on Facebook and post on our housing discussion board.

refund policy: Refunds will be available for individual workshops until 1 week before start of workshop minus a $50 processing fee per workshop. For week-based package enrollment, refunds will be available until 1 week before start of full enrollment, minus a $75 processing fee. Refunds cannot be given if notice is not received as stated. Credit towards future classes and workshops may be extended in the event of illness or injury. All refund and credit requests must be made in writing. Email info@movementresearch.org with any such requests.

The Week Ahead: December 12-18, 2011.

This Week at Movement Research… Movement Research at the Judson Church, Workshop, and classes.

Monday December 12. Movement Research at the Judson Church.
8 PM. 55 Washington Square South.
Featuring work by The Movement Party- Zena Bibler & Katie Schetlick, Makiko Tamura/small apple co. , idiosynCrazy productions, and Rebecca Patek*

Wednesday December 14. NO Open performance.
Open Performance will resume on January 4, 2012 featuring work by Shawna Emerick, Kelly Bond & Melissa Krodman, Rebekah Windmiller, and Katherine Kiefer Stark. Moderated by Pele Bauch.

*Movement Research Artist-in-Residence 2011

Sunday December 18. Workshop with Daria Fain and Robert Kocik.
2-6 PM. Movement Research at Eden’s Expressway.
for non-choir member: $120 for 6 sessions, $25 per drop-in
for choir members : $75 for 6 sessions, $15 per drop-in

PROSODIC BODY Workshop: Choreoprosodia (the fusion of movement and prosody)
These six workshops focus on the sonic properties of language exploring the correspondences between energy centers, hormonal secretion, seed movements, sonic harmony, and emotional and neurological impact. Spending time with each of the different phoneme-harmonic-compositions developed for the Phoneme Choir, we will use a ‘scientific methodology’ to differentiate and name how each affects individuals and inform us of their healing and performative properties.

Classes this Week.
Join us for classes with faculty: Barbara Mahler, Margaret Paek, Irene Dowd, Daria Fain, K.J. Holmes, Jimena Paz, and Jennifer Nugent.

Schedule Change for December: Jimena Paz will be teaching for Judith Sanchéz Ruíz from December 5- December 16, and Jennifer Monson will be subbing class on December 19 and 21.

Upcoming.

Workshop with Daria Faïn & Robert Kocik
Dec 18, Jan 15, Feb 19
SUN 2-6pm
Movement Research at Eden’s Expressway
for non-choir member: $120 for 6 sessions, $25 per drop-in
for choir members : $75 for 6 sessions, $15 per drop-in

PROSODIC BODY Workshop: Choreoprosodia (the fusion of movement and prosody)
These six workshops focus on the sonic properties of language exploring the correspondences between energy centers, hormonal secretion, seed movements, sonic harmony, and emotional and neurological impact. Spending time with each of the different phoneme-harmonic-compositions developed for the Phoneme Choir, we will use a ‘scientific methodology’ to differentiate and name how each affects individuals and inform us of their healing and performative properties.

Winter MELT 2012.

MELT Intensives are a series of daily workshops in technique, somatics, improvisation, composition and other areas offered each summer (5 weeks) and winter (3 weeks). Taught by Movement Research’s internationally recognized faculty as well as acclaimed guest artists, these workshops provide students with the unique opportunity to engage with some of the most highly regarded and innovative artists in the field of dance today.

Juliette Mapp
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
Technique
Using the luxury of five continuous days of dancing together, we will take the time to investigate different states of awareness. Each class will be three-fold, beginning with a guided improvisation to inspire the imagination to expand into the unique life of different parts of the body, followed by dancing within technical forms to support our range and work as dancers, and concluding with a phrase that integrates concepts of weight, lightness, initiation and intention. The technical forms and phrase will be specifically structured to build our knowledge of individual physical patterns that may be blocking us from deepening the use of ourselves as artists. In the process of learning a phrase, we can observe how we retain “set” material. The merging of the unconscious life of movement through improvisation and conscious attention to the physical imagination is part of the energizing practice we will explore in each class.

Irene Dowd
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
Horizons
Learn a warm-up choreography designed to enhance visual focus, hand-eye coordination, articulation of hands and feet, freedom of the spine, and the dancer’s own phrasing. In addition this sequence can be used as a physical and mental preparation for performance.

Trajal Harrell
January 2 – January 6
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
There Are No Stepbrothers in Dance
I think the statement “there are no stepbrothers in dance” is a paraphrase of something Balanchine said. His point was that one could only say so much in a dance, and yet what a dance can convey is particular and specific to the medium. In this workshop, we will look at the limitations and strengths of the medium in order to become more exact in our choreographic choices and in order to elicit more clarity from the contexts of meaning we create. Bring 3-10 minutes of a complete choreographic work to be presented live either with you as a solo performer or invite your performers. We will also work on developing some specific tools through compositional exercises. Be prepared to also read, talk, debate, listen, and imagine aloud.

Chris Aiken
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
An Eco-poetic Approach to Dance Improvisation and Performance
In this movement workshop we will explore awareness and intention through the development of perceptual acuity in relationship to our inner and outer landscapes. We will examine the delicate relationships between our poetic imagination and our sensory systems. The basis of my approach is that composition and performance are ecologically rooted acts. Our imagination grows from where and how we exist. Movement, story, image and gesture are imbedded in the relationships that are evolving all around us. Come ready to dance, perceive, perform and imagine.

Keith Hennessy
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
Improvisation as Potential Shamanism
Five days of contemplative embodiment, intensive breathwork, fake healing, endurance shaking, post-contact, disco and séance, all in the attempt to invigorate improvisation practice for dancers, choreographers, and performance makers. Shamanism, in a general usage, refers to the ritual/spiritual practices of working with forces and energies, unseen and poetic, of transforming space and time to shift meaning and perspective, of communicating with the dead or not-human. Contemporary improvisation and performance practices often engages the same intentions. Let’s dance in the borderlands of anti-systemic knowledge, magic, real and fiction, contagion and exchange, and various states of presence. Dance class is a ritual, potentially.

DD Dorvillier
January 9 – January 13
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
Touch Move Talk Write: open studio practices
This workshop focuses on generating new practices through touching, moving, talking, and writing. We will shape each practice with simple rules and apply different sequences and durations, giving equal time to all four aspects. By pushing the notion of practice to extremes, one begins to understand assumptions about style, body, self, technique, unspoken rules, expertise, etc. etc… The aim is to proliferate unexpected results, to try many things quickly, and to foment revolution. Please don’t come without a notebook and a pen.

Yvonne Meier
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
10:00 am-12:00 pm $115
Movement Research at Eden’s Expressway
Improvisational “Scores”
In this workshop we will investigate my improvisational technique which I call “Scores.” “Scores” are essentially words, containing images, that we will learn to possess our bodies from head to toe. “Scores” can be physical, emotional, psychological or spiritual. Some “Scores” will possess different body parts. Some “Scores,” which I call “no-no scores,” explore socially-unaccepted content. We will allow these “no-no scores” to travel through the subconscious revealing to us our true opinions about them. We will utilize Releasing Technique in the warm ups revealing to us the capability to fill our “empty” bodies with images. Authentic movement, as a warm up, will guide us through powerful qualities.

Shelley Senter
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
1:00 pm-3:00 pm $115
Movement Research at Eden’s Expressway
technique |tekˈnēk|
noun a way of carrying out a particular task, esp. the execution or performance of an artistic work or a scientific procedure. • skill or ability in a particular field : he has excellent technique | [in sing. ] • a skillful or efficient way of doing or achieving something This class will approach “technique” by redefining notions of strength and virtuosity, valuing subtlety and utilizing mindfulness and self-observation as physical practices. We’ll awaken the brain and the body, learn by expansion rather than concentration, rigorously attend to the present and learn precise, task-oriented, simple and complex movement phrases.

Miguel Gutierrez
January 16 – January 20
Monday, Tuesday, Wednesday, Thursday, Friday
3:30 pm-6:00 pm $130
Movement Research at Eden’s Expressway
INEFFABLE INTANGIBLE SENSATIONAL
This workshop looks at some of the ways in which Miguel Gutierrez approaches a practice of movement and improvisation in his work. Working from the proposition that dance is a mode of perceptual inquiry, and working against the idea of dance as a non-verbal “language,” students will be led through a series of movement explorations that prioritize sensation, non-rational action, and that trigger automatic, unprepared physical response. Some of the questions that guide this workshop are: What does movement “do” and how does it operate as a framework for complicated, nuanced, embodied meaning?

Tuition
Registering for full weeks saves you significant amounts of money:

$825 for 3 full weeks (9 workshops, a savings of $255)
$600 for 2 full weeks (6 workshops, a savings of $120)
$310 for 1 full week (3 workshops, a savings of $50)

Individual workshops cost $115-$130.

Payment in full reserves your spot in any workshop or package enrollment. For packages, you may also make a deposit to reserve your spot. Balance of tuition is due no later than December 12, 2011.

Housing
Movement Research does not provide housing. Recommended housing options include: the Movement Research Facebook page housing discussion, www.studenthousing.org, www.craigslist.org, www.nyhabitat.com, or www.stephaniediamond.com/listings. We encourage students and those with housing available to become our friends on Facebook and post on our housing discussion board.

refund policy: Refunds will be available for individual workshops until 1 week before start of workshop minus a $50 processing fee per workshop. For week-based package enrollment, refunds will be available until 1 week before start of full enrollment, minus a $75 processing fee. Refunds cannot be given if notice is not received as stated. Credit towards future classes and workshops may be extended in the event of illness or injury. All refund and credit requests must be made in writing. Email info@movementresearch.org with any such requests.

The Week Ahead: December 5-11, 2011.

This Week at Movement Research… Movement Research at the Judson Church, Open Performance, and classes.

Monday December 5. Movement Research at the Judson Church.
8 PM. 55 Washington Square South.
Featuring work by Karen Bernard, Jo Pollitt & Rhiannon Newton, Melanie Maar, and Laurie Berg**

Wednesday December 7. Open performance.
8 PM. A.R.T./New York South Oxford Space.
Featuring work by Erin Cairns, Rebecca Bryant, Melissa West, and Kathy Wasik
Moderated by Ben Spatz*

*Movement Research Artist-in-Residence 2011
**Movement Research Artist-in-Residence 2010 Read the rest of this entry »

The Week Ahead. November 1-7, 2010.

This week at Movement Research: Movement Research at the Judson Church, Open Performance, classes and more! Also, Fall Festival is approaching! See info below.

elizabeth ward by ian douglas

Read the rest of this entry »

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