Posts Tagged ‘Suzushi Hanayagi’

Judson @ 50: ‘Judson: Second Generation and Beyond’

Check out Movement Research in Partnership with Anthology Film Archives for JUDSON: SECOND GENERATION AND BEYOND, a special screening celebrating the 50th Anniversary of the Judson Dance Theater!

Tuesday October 16.
JUDSON: SECOND GENERATION AND BEYOND
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members

suzushi-hanayagi

Judson had an impact much larger than its three year existence would suggest. Many artists were deeply influenced by the ground broken by JDT, either directly or indirectly. This screening looks at work that bears the imprint of Judson but moves beyond the boundaries of that seminal period.

Richard Rutkowski
THE SPACE IN BACK OF YOU
2011, 65 min, digital video.
This highly visual and visceral documentary investigates the creative life of Suzushi Hanayagi, a powerful, innovative, even radical Japanese dancer and choreographer. For over 20 years she was a close collaborator with and major influence on theater legend Robert Wilson, who referred to her simply as “my teacher”. When Wilson discovers Hanayagi living in an old-age home and suffering from Alzheimer’s, Wilson resolves to work with her once again. Poignant witness to the transition of a life from vibrancy to legacy, this film becomes the final collaboration between a great teacher and her most renowned student.

CHANNEL Z (live performance excerpt, P.S. 122, 1986)
1986, 20 min, video.
Channel Z (1982-1990) was a collaborative improvisation group that initially formed out of a series of dance sessions organized by Robin Feld for people who were teaching Contact Improvisation in New York City. Featuring: Paul Langland, Daniel Lepkoff, Diane Madden, Nina Martin, Randy Warshaw.

Steve Paxton
FALL AFTER NEWTON
1987, 23 min, video.
A sweeping look at 11 years of practice of Contact Improvisation by Nancy Stark Smith and Steve Paxton. The progression from its beginnings in 1972 through successive years of performances up to 1983 shows one strand of the development of this multifaceted duet dance form.

Plus: additional surprises!

The Week Ahead. October 15-21.

This Week at Movement Research… Join us for Open Performance and another special Judson @ 50 event in partnership with Anthology Film Archives – JUDSON: SECOND GENERATION AND BEYOND!

Tuesday October 16. Judson @ 50:
MR in Partnership with Anthology Film Archives

JUDSON: SECOND GENERATION AND BEYOND
6:45pm. Anthology Film Archives, 32 2nd Avenue.
$10; $8 students/seniors/Friends of MR; $6 Anthology Members

Judson had an impact much larger than its three year existence would suggest. Many artists were deeply influenced by the ground broken by JDT, either directly or indirectly. This screening looks at work that bears the imprint of Judson but moves beyond the boundaries of that seminal period:

Richard Rutkowski
THE SPACE IN BACK OF YOU
2011, 65 min, digital video.
This highly visual and visceral documentary investigates the creative life of Suzushi Hanayagi, a powerful, innovative, even radical Japanese dancer and choreographer. For over 20 years she was a close collaborator with and major influence on theater legend Robert Wilson, who referred to her simply as “my teacher”. When Wilson discovers Hanayagi living in an old-age home and suffering from Alzheimer’s, Wilson resolves to work with her once again. Poignant witness to the transition of a life from vibrancy to legacy, this film becomes the final collaboration between a great teacher and her most renowned student.

CHANNEL Z (live performance excerpt, P.S. 122, 1986)
1986, 20 min, video
Channel Z (1982-1990) was a collaborative improvisation group that initially formed out of a series of dance sessions organized by Robin Feld for people who were teaching Contact Improvisation in New York City. Featuring: Paul Langland, Daniel Lepkoff, Diane Madden, Nina Martin, Randy Warshaw.

Steve Paxton
FALL AFTER NEWTON
1987, 23 min, video.
A sweeping look at 11 years of practice of Contact Improvisation by Nancy Stark Smith and Steve Paxton. The progression from its beginnings in 1972 through successive years of performances up to 1983 shows one strand of the development of this multifaceted duet dance form.

Wednesday October 17. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Molly Poerstel-Taylor, Andary Dance, and Lia Bonfilio.
Moderated by Strauss Bourque-Lafrance. **

Classes this Week with: Asli Bulbul, Barbara Mahler, David Thomson, Irene Dowd, Clare Maxwell, Karl Anderson, Jen Rosenblit, and Bradley Teal Ellis.

** 2011 Movement Research Artist-in-Residence

Upcoming.

Monday October 22. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Grace Courvousier, Gina Graham, Aaron Mattocks, and Gabriel Forestieri.

Sunday October 28. Judson @ 50:
MR in Residence at the New Museum

A Pluralistic View of the Judson Dance Theater Legacy:
Yvonne Rainer & Aileen Passloff with Wendy Perron
3pm. New Museum, 235 Bowery.
$6 New Museum members, $8 General Public

The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance Theater (1962-64; JDT) while dismantling the myth of a singular Judson aesthetic. Rainer, along with dance artists Steve Paxton, Trisha Brown, Lucinda Childs, David Gordon, and others, broke with the conventions of modern dance by exploring task dances and the Dadaist idea of radical juxtaposition. Passloff, along with Jimmy Waring, Fred Herko, Arlene Rothlein, and others, reveled in the full-out dancing and whimsy of modern dance. In this talk, moderated by Wendy Perron, Rainer and Passloff consider the legacy of Judson Dance Theater from the perspectives of their divergent practices.

Some questions that Rainer and Passloff will address: What were you saying “No” to, and what were you saying “Yes” to? In what ways did the ’60s affect Judson Dance Theater? How did others in the JDT collective influence your work? What artistic values do you feel JDT has handed down to later generations?

Monday-Friday October 29-November 2.
Workshop with Azusa Seyama Prioville.

2pm-4pm. Gibney Dance Center, Studio 6.
Full Workshop $75, Drop-in $18.50
Register Online: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

Creating Character Through Movement
By raising awareness of the physical possibilities in the body this workshop will encourage finding richer and more meaningful personal movement. Employing various processes used in dance theater practices we will search where movement starts and push the limits of where it can go.

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