Posts Tagged ‘william forsythe’

The Week Ahead. March 11-17.

This Week at Movement Research… Another busy week! Come check out what should be an amazing Studies Project event on Monday, and a week-long I.D.D. Workshop with Elizabeth Corbett!

Monday March 11. Movement Research at the Judson Church.
8pm. Judson Memorial Church, 55 Washington Square South.
NO RESERVATIONS and ADMISSION IS FREE

Seating is limited, so arrive early.
Featuring works by: Rebecca Bryant, Kate Martel, Michal Samama*, Ann Sofie Clemmensen & Tamara Carrasaco**

Wednesday March 13. Open Performance.
8pm. A.R.T./NY, South Oxford Space, 138 S Oxford St, Brooklyn.
FREE!

Featuring works by Cynthia Berkshire, Irene Siegel, Cindy Stevens, Yuka Takahashi
Moderated by K.J. Holmes***

*2011 Movement Research Artist-in-Residence
**MFA Candidates, The Ohio State University; a Movement Research Exchange/OSU project, supported in part by Ohio State University
***2012 Movement Research Artist-in-Residence

Workshops and Events this Week.

March 11-15. International Dance Dialogues Workshop with Elizabeth Corbett.
MON-FRI 2-4pm
Gibney Dance Center
$75 for full workshop, $18 drop-in
REGISTER NOW

Forsythe Improv and Phrase Workshop
Long time Forsythe dancer Elizabeth Corbett guides an exploration into the working methodologies inspired by the creative processes of William Forsythe. In this workshop dancers explore and develop improvisation approaches and deconstruction of Forsythe’s phrase work toward accessing the inner logic and unfolding mechanisms in the work.

Monday March 11.
Studies Project: Overlapping Circles (Improvisation, Contact Improvisation, Performance, Practice, Human Collaboration).

5:30-7:30pm
Gibney Dance Center
RSVP encouraged to info@movementresearch.org
A conversation with Nancy Stark Smith, K.J. Holmes, Jennifer Monson & Jen Rosenblit

Improvisation as a practice, and particularly the rich history of Contact Improvisation, has spread throughout the world in various permutations and with multiple offshoots, evolutions, hybrids, specializations, etc. With improvisation in some form or another as a now ubiquitous presence in much of contemporary dance, how are people grappling with the various practices of improvisation in the context of contemporary performance?
How do we situate our dancing in the larger world? Is it performance? Practice? Who is it for and how does it serve and/or inspire us and others? What tools and materials are we using — and toward what ends?

Upcoming Workshops and Events.

Tuesday March 19. Studies Project: Performing the Changing City: Public space, transformative events and creative action in New York.
7pm
Hemispheric Institute of Performance and Politics
Organized by Abigail Levine and Paloma McGregor
With panelists luciana achugar, Randy Martin, Jenny Romaine, and Niegel Smith
FREE

“…careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle: student riots; that dark women in bodegas shook their heads last week because in six months prices have risen outlandishly; how coffee tastes after you’ve held it in your mouth, cold, a whole minute.” -Samuel R. Delany, Dhalgren

Hurricanes, transit strikes, planned and unplanned explosions, occupations… Bike lanes, bus lanes, protest pens, command centers… Pedestrian zones, redevelopment zones, disaster zones… How is the landscape of our city changing and what are the possibilities for creative response? Looking at the shifting social, economic, and literal topography of our city through the frame of transformative events and policy decisions, we ask the question: what is the role of artists, activists, and all citizens in conceiving, creating, and defending (a notion of) public space? And conversely, what is the role of public space as a partner in creative expression and action? luciana achugar, Randy Martin, Jenny Romaine, and Niegel Smith reflect on our shifting urban landscape and offer opportunities to imagine how we might enact our city in the future.

April 12-20.  
Workshop with Larissa Velez-Jackson: What is My Work? A workshop based on the format of a peer panel review.

Friday April 12, 2:30-5:30pm
Saturday April 13 4:30-7:30pm
Friday April 19 2:30-5:30pm
Saturday April 20 4:30-7:30pm
Movement Research at Eden’s Expressway
$70
Register Now: http://www.movementresearch.org/classesworkshops/classdescriptions/?class=workshops

This workshop addresses the necessity for a practice that generates language to support one’s work and the work of others. We will find ways to create that language in a peer setting through sharing, seeing, dialoguing, and creative writing exercises. In this workshop, 4-5 students show up to 20 min. of work (live or video), and the class discusses the work and investigates the process of discussion as well. Be prepared with a segment of your artist statement or some language about your excerpt, along with a pen.

Classes this week with…

Michelle Boulé. Morning Class.
Monday, Wednesday, Friday. 10:00am-12:00pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

We’ll look at different ways of approaching ‘dance technique’… energy systems, physical systems, architectural-object-spatial relationships, contact and non-contact partner and solo improvisations. I take my current somatic, dance, and performance interests and apply them to a movement practice. A maximally informed approach to dancing. A space of respectful, creative permission for everyone’s body. A time to really let things move in all senses of the word… in relationship within and beyond oneself. Structure = warm-up leads to choreographed phrase work.

John Jasperse. Morning Class.
Tuesday and Thursday. 10:00am-12:00pm. $14.
Danspace Project, 131 E. 10th Street.

Movement Practice
The class will begin with an anatomy focused warm-up, drawn from both traditional and recent techniques, aiming to align and re-pattern the energy flow in the body in order to find support from the floor and our connection into space. We will begin with simple movements, improvisation scores, exercises, and sequences gradually building in complexity. We will learn movement material, some from Jasperse’s work and some created for these explorations. Our goal will be to integrate energetic patterning explored in the first portion of class and to play with different manners of experiencing and embodying the choreographic material.

As well as our Ongoing Classes (click here for full descriptions)

Barbara Mahler. A Re-Education – Klein Technique as Taught by Barbara Mahler.
Tuesday and Thursday, 10:00 am-12:00 pm. $14.
Tuesday, 6:15pm-7:45pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Irene Dowd.
Tuesday. 3:00 pm-4:45 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Rebecca Brooks. Alexander Technique.
Wednesday. 12:30-2:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Margaret Paek. Contact Improvisation.
Wednesday. 6:30-8:30 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Karl Anderson. Skinner Releasing Technique (Ongoing Level).
Saturday. 10:00 am-1:00 pm. $14.
Randy Warshaw Studio, 115 Wooster St., #2F.

K.J. Holmes. The Athletics of Intimacy, Improvisations.
Saturday. 11:00 am-1:00 pm. $14.
Movement Research at Eden’s Expressway, 537 Broadway, 4th Floor.

Performance Journal 36 is HERE. Subscribe NOW!

Movement Research announces the release of Performance Journal #36, with cover artist Hahn Rowe. Articles featuring Big Art Group, CLASSCLASSCLASS, and Penny Arcade. Interviews with William Forsythe, Julie Tolentino, Sally Silvers.  Also featuring a special Merce Cunningham Portfolio… and more!

Subscribe to the Performance Jounal NOW at www.movementresearch.org/performance_journal/subscriptions/

Subscriptions and backissues are available for for individuals and institutions. In an effort to instigate discourse and connect our broader community, we also offer bulk subscriptions and bulk orders on select backissues for our fellow not-for-profit organizations and educational institutions around the world to distribute the journal to their audiences, constituents, and artists.

hahn-rowe-pj-36-rotator1
PJ Subscriptions:
2 issue subscription – US: Individual $12, Institutional $40; International: Individual $24, International Institutional $50
4 issue subscription – US: Individual $20, Institutional $75; International: Individual $42, Institutional $95

Bulk subscriptions:
US 25 copies: 1 issue, $25 ; 2 issues, $50 ; 3 issues, $75
US 50 copies: 1 issue, $35 ; 2 issues, $70 ; 3 issues, $105
US 100 copies: 1 issue, $60 ; 2 issues, $120 ; 3 issues, $180
International 10 copies: 1 issue, $30 ; 2 issues, $60 ; 3 issues, $90
International 50 copies: 1 issue, $85 ; 2 issues, $170 ; 3 issues, $255
Special rate for NYC organizations/institutions!
50 copies for $20

Back orders also available.
Click HERE for more information on back orders.

Click HERE to Subscribe to the Performance Journal online NOW.

You can also subscribe via mail
Make checks payable to:
Movement Research
P.O. Box 49, Old Chelsea Station
New York, NY10113
Include a note stating your contact information, address for shipping, and which subscription type your payment is for.
Started in 1990, the Performance Journal is a printed forum created by and for artists, fostering the evolution of written and graphic languages that contemplate current issues of dance and performance. Published twice annually, the Performance Journal provides a unique forum for critical rigor and a multi-disciplinary readership. Writings are specifically linked to events, artists, trends, and ideas associated with the current and upcoming performance season in New York, as well as nationally and internationally. The Performance Journal has focused on artists’ of-the-moment concerns, with past topics including gender, environments, identity, technology, activism, dance writing and, most recently, an exploration of how contemporary dance negotiates with the larger culture, via a magazine format.

photo: Hahn Rowe by Miana Ju

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