Video clips from Movement Research at the Judson Church 1.24.2011

Video clips from Movement Research at the Judson Church, January, 2011.
Featuring work by Lorene Bouboushian, Netta Yerushalmy, John-Mario Sevilla and Zubin Mohamad

Harbor
Conceived, created and performed by: Lorene Bouboushian
I want you to see into this. I want you to ask me questions. I want this to make you come with me. Talk to me or email me at lorene.bouboushian@gmail.com

Hi everyone, I’m Lorene Bouboushian. I made this in an attempt to synthesize and deepen multiple explorations inspired by Jill Sigman, Daria Faïn, and luciana achugar, and supported by numerous wonderful friends, teachers and witnesses, including David Parker, Tessa Chandler, Sophie Schapiro, Kate Ryan, Kirsten Schnittker, Juliana May, and countless others. Thank you all for goading me on toward whatever this can be. What I am doing here means a lot to me; it has as many layers for me as I hope it has for you. So tell me how you feel. More about me: I want to find some sense of community in this city through discussion and action galvanized by open forums and commons. I long for my home, Texas, and its big open skies, but something about the mad, intense, glorious people here make it worth it. I hope to be as curious and earnest as I can.

DEVOURING DEVOURING (excerpt from work in progress)
Choreography: Netta Yerushalmy
Collaborating performers: Joanna Kotze, Toni Melaas, Jesse Zaritt
Sound design: Mark degli Antoni

Netta received a ’10 NYFA Fellowship, a 2010-’12 Six Points Fellowship, Artists-In-Residence at Tribeca Performing Arts Center, and a Swing Space residency (LMCC). Originally from Israel, she trained at Kibbutz Dance Company, Bat-Dor, and Tisch School of the Arts. Her work has been commissioned by International Solo-Dance-Theater Festival (Stuttgart), Danspace Project, Harkness Dance Festival, Curtain-Up Festival (Tel-Aviv), Intimadance Festival (Tel-Aviv), The Yard. Her work was presented at The Kitchen, LaMama Etc., Jacob’s Pillow, DNA, Movement Research at the Judson Church, 92nd Street Y, Brooklyn Museum, and the Painted Bride Theater. In Israel, her work was presented at International-Exposure, Different Dance, and Selected-Works by the Ministry of Culture. New works were commissioned for the Harkness Repertory Ensemble, OfMovingColors (Baton Rouge), Misgav Workshop (Galilee, Israel). She has taught at Yasmeen Godder’s Studio (Jaffa, Israel), Bikurey Haitim Center (Tel-Aviv), OfMovingColors, Misgav. Netta is a member of Doug Varone and Dancers since 2007 and has staged works by Varone at the University of Michigan and at Point Park College. She has also worked with Nancy Bannon, Karinne Keithley, Mark Jarecke, Noemie LaFrance, Ronit Ziv, Zoltan Nagy, and the Metropolitan Opera Ballet. www.NettaY.com

Pie in the Sky, My Eye
Choreography:
John-Mario Sevilla and Zubin Mohamad
Music composed and performed by: Carson Moody
Costumes and props: John-Mario Sevilla and Zubin Mohamad

John-Mario Sevilla directs the Dance Education Laboratory at the 92nd Street Y Harkness Dance Center and is an adjunct professor at New York University Steinhardt. John-Mario has danced for Pilobolus, Rebecca Stenn, Horse’s Mouth, Susan Koff, Daman Harun, Erin Dudley, Kimani Fowlin, Lisa Giobbi, Nikolais and Louis, Shapiro and Smith, Janis Brenner, Anna Sokolow and Bill Cratty. John-Mario also performed with juggler Michael Moschen, film animator Laura Margulies, drag artist Sherry Vine, poet John Unterecker and Navajo sandpainter and healer Walking Thunder. John-Mario’s choreography has appeared in NYC at NYU Steinhardt, 92nd Street Y Tribeca, Dance Theatre Workshop, Columbia University, ABC No Rio, the Lower East Side Tenement Museum, The Asia Society, Riverside Church and Bronx Academy of Art and Dance. He hails from Maui and studies the hula with Kumu Hula HōkÅ«lani Holt. Dr. Zulkifli bin Mohamad (aka Zubin Mohamad) is a dance choreographer, performer, scholar, curator, and cultural columnist from Kuala Lumpur, Malaysia. He has taught dance theatre, cultural management, performing arts studies, cultural studies and critical thought at the Universiti Malaysia Sarawak in Borneo, the University of Malaya and the National Arts Academy of Malaysia. He was senior specialist for Performing Arts at the Southeast Asian Centre for Archaeology and Fine Arts in Bangkok and senior officer for Culture, Tourism and Communication at the Association of Southeast Asian Nations Secretariat in Jakarta.

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