Critical Correspondence
Richard Move in conversation with Abigail Levine
In 1996, five years after Martha Graham’s death, Richard Move began summoning her to the stage, using his own body as the medium for her performance. Move refers to the dances he performs as Graham’s works, although he has always engaged in a process of “de-reconstruction” of the choreography, making them his own creations as […]
Dance and the Museum: Marten Spangberg Responds
1) What are the most potent questions/ ideas prompted by the recent coming together of dance and the visual arts? Good question, is not a bad answer, but hmmm maybe one could elaborate slightly, though this question probably would extend into PhD-type size. What you have in front of you is an answer of all […]
Dance and the Museum: More than Incidental Choreographies by Danielle Goldman
On September 28, 2013, Danspace Project hosted its latest Conversations Without Walls, a series of panel discussions co-curated by Danspace Scholar-in-Residence Jenn Joy and Executive Director Judy Hussie-Taylor. This particular conversation provided an opportunity to reflect on Ralph Lemon’s Some sweet day–a recent three-week performance series at MoMA–as well as the broader convergences between dance […]
Joshua Lubin-Levy in conversation with Neal Beasley
As we at CC turn our attention to the critical issues that emerge in dance’s current encounter with the museum, this conversation covering Neal Beasley’s career with the Trisha Brown Dance Company as well as his own choreographic interests, offers practical and theoretical insights into the embodied forms of archiving that take place in the […]
