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Biba Bell « Critical Correspondence

Critical Correspondence

181_Haleem

Haleem ‘Stringz’ Rasul and Marcus White in Conversation with Biba Bell

In July The Cranbrook Art Museum [Detroit, MI] hosted a series of Dance Labs initiated by artist Nick Cave. The Labs were research opportunities for guest choreographers to work with Cave’s soundsuits and develop dances for Here Hear a citywide site-specific performance program. Haleem ‘Stringz’ Rasul, Marcus White and Biba Bell participated in the Labs and […]

500_Bell Dance Lab

Biba Bell discusses dance as a promiscuous mode of dwelling

  CC co-editor Biba Bell shares an interlude-esque essay that expresses her ongoing project that thinks through the potential of dance to promiscuously move about, mobilize societal limitations, resist capture, and generally infiltrate disciplinary and institutional habits, aka business as usual… crashing the party; escaping the house. Woven throughout her perpetual proposition – “Would you […]

245stov

Maya Stovall in Conversation with Biba Bell

    A “radical ballerina,” PhD candidate in anthropology at Wayne State University, and fourth generation Detroiter, Maya Stovall re-imagines the politics and aesthetics of dance through the question of where it might land on/as site of the liquor store. Liquor Store Theater negotiates the right to the city while inserting discussions of race, privilege, […]

245bruno

homeLA founder Rebecca Bruno in Conversation with Biba Bell

    Rebecca Bruno grew up within a home where her father presented chamber jazz concerts, so that in turn, after encountering a perceived limitation of resources for showing work in Los Angeles, she took matters into her own hands and momentarily converted her home into a space to make and present performance. From its […]

PERFORMANCE, SCULPTURE, DANSE, ESS, LE MOUVEMENT, PERFORMING THE CITY, BIEL, BIENNE,

Chris Sharp in Conversation with Biba Bell

This autumn, dance and performance provided an essential means by which curators Chris Sharp (Mexico City) and Gianni Jetzer (New York) could reimagine public sculpture and the potentiality of urban space for Le Mouvement, the latest installment of the Swiss Sculpture Exhibition (founded in 1954). An expansive, threefold exhibition, Le Mouvement invited numerous works and […]