Critical Correspondence
SALTA: A self-interview on curation
Pseudo-, anti-, and total dance In the Spring of 2015, the Oakland-based dance collective SALTA co-wrote this self-interview about our monthly performance series, which appears below as an excerpt. We took the structure of the self-interview from Everybody’s Toolbox, a contemporary dance platform that offers structures, games, and scores for choreographers. We asked questions […]
Xavier Le Roy in Conversation with Will Rawls
Over the last twenty years, Xavier Le Roy has radically expanded the field of contemporary choreography, through solo and collective research-based practice. His diverse works question the limits of performance, exposing the conditions that govern artistic production in the theater. Increasingly, Le Roy has turned towards issues of addressing and engaging the public, and how […]

Charles Aubin in Conversation with Abigail Levine
Curator and performance scholar Charles Aubin discusses his work at Paris’s Centre Pompidou and New York’s Performa Biennial, focusing on the current interest in live art and performing arts curation, particularly within the context of visual art institutions. Aubin addresses the differences in curatorial strategies in a yearlong programming calendar versus a biennial, the funding […]
Paloma McGregor in Conversation with Abigail Levine
While attending and dancing in Ishmael Houston-Jones’s 2012 Danspace Project platform series Parallels, artist-activist Paloma McGregor began to think about the lack of experimental forums in which Black dance artists were well-represented. How had the idea of artistic experimentation and radicality become tied to White culture? And untied from Black culture? Were critics and presenters […]
Dance and the Museum: Gustavo Ciriaco Responds
1) What are the most potent questions or ideas prompted by the recent coming together of dance and the visual arts? I like the terms you choose for this meeting of two different art fields: coming together. This already reveals a movement towards a shared place and at the same time the condition […]
Dance and the Museum: Sarah Maxfield Responds
Performance and visual art have a long and winding relationship. The current trend of visual art institutions presenting performance isn’t exactly new territory, but it is noteworthy, and it has been raising some concerns in the performance field. Unlike most visual art curation (particularly of works by now-dead artists), one cannot curate performance in a […]
Carla Peterson in conversation with AUNTS and CATCH
Following a two-day event in February in which the performance series’ AUNTS and CATCH took turns trading curatorial and production practices, Carla Peterson, Artistic Director of New York Live Arts, interviewed CATCH curators Andrew Dinwiddie, Caleb Hammons and Jeff Larson, and AUNTS organizers Laurie Berg and Liliana Dirks-Goodman about the experience and what it revealed […]
Jessie Gold and Sam Gordon in conversation with Alyssa Gersony
The New Art Dealers Alliance (NADA) held the second edition of its art fair – NADA New York – May 10th through May 12th at Pier 36, Basketball City, showcasing over 70 international visual art galleries, representing 13 countries. This year, amidst the traditional art fair model, NADA also hosted Contemporary Dancing under the curation and organization of Sam […]