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economics « Critical Correspondence

Critical Correspondence

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Critical Correspondence: Dance and the Museum

In 2013, Critical Correspondence initiated a project dedicated to the examination of dance in the museum today–its politics, economics, and aesthetics. Acknowledging a long history of cross-pollination between dance and the visual arts–some driven by artists, some by institutions–our hope is to create a forum, based in a dance institution, for the voices of those […]

University Project

The University Project is an initiative of Critical Correspondence that aims to shed light on the shifting relationship between academia and working artists. More and more Universities are interested in bringing working artists on to their faculty, and many Universities now offer low-residency MFA programs to assist working artists in obtaining higher degrees. What are […]

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Dance and the Museum: Noemie Lafrance Responds

  1) What are the most potent questions prompted by the recent coming together of dance and the visual arts? Dance artists and visual artists collaborate everyday based on affinity and need, just like artists of all disciplines also collaborate. Cinema for example, is a purely collaborative form, much like the performing arts, which generally […]

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Dance and the Museum: Yvonne Rainer Responds

1) What are the most potent questions/ ideas prompted by the recent coming together of dance and the visual arts? Ethics and economics, to begin with. When my work is performed in a dance venue by another dance company, I am paid royalties. Why do the art museums not conform to this standard? They pay […]