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Critical Correspondence

Gustavo1

Dance and the Museum: Gustavo Ciriaco Responds

  1) What are the most potent questions or ideas prompted by the recent coming together of dance and the visual arts?   I like the terms you choose for this meeting of two different art fields: coming together. This already reveals a movement towards a shared place and at the same time the condition […]

SaraWookeyPhoto by Guy L'Heureux

Dance and the Museum: Sara Wookey Responds

  1) What are the most potent questions prompted by the recent coming together of dance and the visual arts? How does the socio-spatial context of the museum support the needs of dance? What can dance offer the visual arts? Where is the voice of the dancer? How might this “coming together” facilitate a shift in the dynamics […]

SD

Dance and the Museum: Samara Davis Responds

I am most interested in the politics of venue–how a work settles into a space, acknowledges it or doesn’t, and how a space supports a particular artwork. What can be done in a space or on a stage? Sometimes I find that the weight of a venue flattens or hugs a work too tightly. I […]

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Dance and the Museum: Sarah Maxfield Responds

Performance and visual art have a long and winding relationship. The current trend of visual art institutions presenting performance isn’t exactly new territory, but it is noteworthy, and it has been raising some concerns in the performance field. Unlike most visual art curation (particularly of works by now-dead artists), one cannot curate performance in a […]